Items where Subject is "N Visual arts (General) For photography, see TR"

A

Allen, Richard (2017) The Bones of Breakheart Quarry. [Video]

Allen, Richard (2012) Garage Band: A Site-Specfic Performance 24/05/2012 - 27/05/2012. [Show/Exhibition]

Allen, Richard (2018) The Killers: Investigating Binaural Sound Design Through the Making of Headphone Theatre (Portfolio). Broken Apparatus.

Allen, Richard (2018) The Killers: Site-Specific Performance. [Show/Exhibition]

Allen, Richard (2017) MAYK Thought Residency. [Audio]

Allen, Richard (2016) The Measure of All Things: Rethinking Humanism through Art (Group Show). [Show/Exhibition]

Allen, Richard (2017) Phantom Stages. Performance Lecture at Hidden Lines of Space (Group Show). [Show/Exhibition]

Allen, Richard (2018) Pick Up: Sound Installation for a Phone Box. [Show/Exhibition]

Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters. Theatre and Performance Design, 2 (3-4). pp. 266-278. ISSN Print: 2332-2551 Online: 2332-2578

Allen, Richard (2016) The Theatricality of Objects: Object Theatre Beyond the Puppet. Ånd i hanske. ISSN 0800-2479

Allen, Richard (2017) Watchtowers. In: The Artist Borderpanic Compendium. The Live Art Development Agency, London, UK. (In Press)

Allen, Richard The Weird World of Donald Trump: Video Essay. [Video]

Allen, Richard and Fisher, James (2017) An Inventory of Syncopal Objects. In: Syncope in Performing and Visual Arts. Editions Le Manuscrit Savoirs, pp. 111-130. ISBN 978-2-304-04624-3

B

Bovey, Simon (2017) All Pod People Aren't The Same -The Many Adaptations of The Body Snatchers. In: The Association of Adaptation Studies 12th Annual Conference, 18th-19th September 2017, Leicester. (Unpublished)

Bovey, Simon (2018) SHOW BUSINESS: The Development of a Language for the Screenplay. In: 11th International Conference of the Screenwriting Research Network, 13th-15th September 2018, Milan. (Unpublished)

Bovey, Simon (2016) Teaching Rules or Teaching Creativity: a Paradigm Shift. In: Screenwriting Research Network Annual Conference 2016, 8th - 10th September 2016, Leeds Beckett University. (Unpublished)

Bradburn, John (2021) Dancer. [Artefact]

Bradburn, John (2016) The Judas Fire. [Artefact]

Bradburn, John (2018) A Line Between The Heavens and The Earth. [Performance]

Bradburn, John (2016) The Mountain of Dead Selves. [Artefact]

Bradburn, John (2018) Pandemic / An Interactive Film. [Show/Exhibition]

C

Carter, Harriet (2017) How Can Experiences of Light be Apprehended in Painting? Masters thesis, University of Worcester.

Christopoulou, Eleni and Irving, Reuben ORCID: https://orcid.org/0000-0003-3055-7806 (2024) Accessibility and Environment Film Festival. [Show/Exhibition]

Coulter-Smith, E. and Price, Colin ORCID: https://orcid.org/0000-0002-2173-9897 (2005) Relocating the Frame: Object-Oriented (1.) and Locative Art (2.) Environments. In: CHArt 21st Annual Conferance 2005: Theory and Practice, 10th - 11th November 2005, British Academy, London. (Unpublished)

Cussans, John (2019) David Burrows and Simon O’Sullivan, ‘Fictioning: The Myth-Functions of Contemporary Art and Philosophy’ (Book Review). Third Text. ISSN Print: 0952-8822 Electronic: 1475-5297

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2019) In the House of the Man-Eater. In: Beau Dick: Devoured by Consumerism. Figure 1 Publishing, Vancouver, Canada, pp. 20-31. ISBN 9781773270869, 1773270869

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2017) WEIRD Commerce at the Ghetto Biennale (Proverbs from the Gossip Wall). In: Ghetto Biennale 2009-2015. No Eraser Publishing, United Kingdom, pp. 188-196. ISBN 9781999864705

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460, Burrows, D., Kenning, D. and Yacoob, M. (2021) Diagram Research Group Delta (Δ) Research Placement at Flat Time House. [Show/Exhibition]

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 and Cutler, R.L. (2019) Special Investigations. In: Knowings and Knots: Methodologies and Ecologies in Research Creation. University of Alberta Press, Alberta, Canada, pp. 265-276. ISBN 9781772124859

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 and Walsh, J. (2022) Deep discernment: A conversation between John Cussans and Joe Walsh. The Ecological Citizen, 5 (2). pp. 150-159. ISSN 2515-1967

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Dale, J., Richards, F., Bradburn, John, Tadros, G. and Salama, R. (2014) Student Filmmakers' Attitudes Towards Mental Illness and Its Cinematic Representations - an Evaluation of a Training Intervention for Film Students. Journal of Mental Health, 23 (1). pp. 4-8. ISSN Print 0963-8237 Online 1360-0567

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2015) Andy Robert Davies Illustration: Professional Runner-up - The White Hart. Creative Quarterly: The Journal of Art & Design, 40. ISSN 1931-3098

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Artworks for the 'Migrations' exhibition, Bratislava, Slovakia, 2017. [Image] (Unpublished)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) Book Review - Circle. Written By: Mac Barnett, Illustrated By: Jon Klassen. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review - Maps of the United Kingdom: Explore More Than 1000 Highlights From the British Isles, Written By: Rachel Dixon, Illustrated By: Livi Gosling. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) Book Review - Mum’s Jumper. Written & Illustrated By: Jayde Perkin. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) Book Review - Your Mind Is Like The Sky, A First Book of Mindfulness. Written By: Bronwen Ballard, Illustrated By: Laura Carlin. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review: Ancient Warriors, Written By: Iris Volant, Illustrated By: Joe Lillington. The Association of Illustrators Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Book Review: Champagne and Wax Crayons by Ben Tallon. The Association of Illustrators Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review: How To Draw Anything, By Scriberia. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review: Robinson, Written and Illustrated By: Peter Sis. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Book Review: The Essential Guide to Business for Artists & Designers. Second Edition. Written By Alison Branagan. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review:Free Hand: New Typography Sketchbooks, Written By: Steve Heller & Lita Talarico. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Creative Quarterly 100 Best Annual 2017. In: Creative Quarterly 100 Best Annual 2017. Artisanal Media LLC, p. 65. ISBN 978-1-946750-06-8

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Davies, Andy R. (2020) The Fundamentals of Illustration (Book Review). The Association of Illustrators' Blog. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Everybody Counts: A Counting Story from 0 to 7.5 Billion (Book Review). The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Farewell. [Image] (In Press)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2016) 'Granny' Selected for the Cheltenham Illustration Awards 2016. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) 'Here and There'. Exhibited at the Illustration Research Symposium November 2019, University of Worcester. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Illustration: Professional Winner - 'Granny' (an illustration of a Spike Milligan poem). [Image]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Migrations Exhibition Report. Other. Association of Illustrators.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Professional Runner-up - Diomira Map. [Image]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Ravilious Wood Engravings (Book Review). The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2016) 'The Sounds of Worcester' (an Illustrated Map). [Show/Exhibition] (Unpublished)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Tales from the Road: Stories Heard by a Pilgrim (maybe). [Image] (Unpublished)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2016) Visualising Spaces: The Illustrated Map as a Mode of Communicating Fact, Fiction and Feeling. VaroomLab Journal (4). pp. 40-55. ISSN 2052-1820

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Zeus. [Image]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125, Hickey, Tobias, Fowler, Stephen, Palmer, Rebecca, Grobler, Petrus and Lovejoy, Taz (2017) Migrations Exhibition. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125, Hickey, Tobias, Fowler, Stephen, Palmer, Rebecca, Grobler, Petrus and Lovejoy, Taz (2017) A video of the 'Migrations' exhibition. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 and Stevenson, Andy (2017) Walk, See, Create: Google-Mapping Collaboration. In: University of Worcester, Beyond Boundaries - Learning, Teaching and Student Experience conference, 2017, 15th - 16th June 2017, Worcester, UK. (Unpublished)

E

Edwards, Sean (2014) All Pages Beginning with Clandestine. [Show/Exhibition]

Edwards, Sean Drawn in Cursive (Part 3). [Show/Exhibition]

Edwards, Sean (2014) Echo (Group Exhibition Series). [Show/Exhibition]

Edwards, Sean (2014) Ghostsign. [Artefact]

Edwards, Sean (2015) Just a Little Glass of Water. [Show/Exhibition]

Edwards, Sean 'Practice Object Bronze Soft Play’ in Adventures in Bronze, Stone and Clay (Group exhibition). [Show/Exhibition]

Edwards, Sean (2016) 'Practice Table' in Good Things Come... (Group exhibition). [Show/Exhibition]

Edwards, Sean Sapling. [Artefact]

Edwards, Sean (2016) Talk at 'Sticky Intimacy Symposium'. In: Sticky Intimacy Symposium, 17th September 2016, Chapter, Cardiff.

Edwards, Sean (2015) Thickness on Paper (Draft 1). In: Un Nouveau festival 2015 : Air de jeu, 15th April - 20th July 2015, Centre Pompidou, Paris. (Unpublished)

Edwards, Sean (2016) Thickness on Paper (Draft 2). In: Sean Edwards Performance Lecture: Thickness on Paper (Draft 2), 4th February 2016, The Bluecoat, Liverpool, UK. (Unpublished)

Edwards, Sean (2016) 'Untitled 2007/2013' and 'Untitled' in Ground (Group exhibition). [Show/Exhibition]

Elliott, Paul (2014) The British War Film. In: Directory of World Cinema: Britain 2. Intellect Press, Bristol, pp. 174-192. ISBN 978-1783203970, 1783203978

Elliott, Paul (2018) A Hint of the Lavender - The Gay Gangster in British Crime Cinema. In: A Companion to the Gangster Film. Wiley Blackwell, Hoboken, NJ, pp. 319-333. ISBN 9781119041665

Elliott, Paul (2011) Hitchcock and the Cinema of Sensations. International Library of Visual Culture . IB Tauris, UK. ISBN 1848855877

Elliott, Paul (2013) “Now I’m The Monster”: Remembering, Repeating and Working Through in Dead Man’s Shoes and TwentyFourSeven. In: Shane Meadows: Critical Essays. Edinburgh University Press, Edinburgh, pp. 83-94. ISBN Hardback: 9780748676392 Ebook: 9780748676408

Elliott, Paul (2014) Studying the British Crime Film. Auteur Press, Leighton Buzzard. ISBN 978-1906733742

Elliott, Paul (2019) The Third Avant Garde: Black Audio Film Collective and Latin America. In: British Art Cinema: Creativity, Experimentation and Innovation. Manchester University Press, Manchester. ISBN 978-1-5261-0087-0

Elliott, Paul (2017) Through Class Darkly: Class in the British TV Noir. In: Social Class and Television Drama in Contemporary Britain. Palgrave Macmillan, Basingstoke, pp. 61-74. ISBN 978-1-137-55505-2 eBook: 978-1-137-55506-9

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Fisher, James (2015) Encountering the Spectre of Painting. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 112-117. ISSN Print: 1352-8165 Online: 1469-9990

Fisher, James (2015) Unfolding the Archive (Group Exhibition). [Show/Exhibition]

Fisher, James and De Cordova, D. (2017) Plaything. [Show/Exhibition]

Fowler, Stephen (2017) Minnesota Centre for Book Arts S. Helmes & W. Gaglione Rubber Stamp Archive's Rubber Stamp Artist Residency (Portfolio). UNSPECIFIED. (Unpublished)

Fowler, Stephen (2016) Rubber Stamping: Get Creative with Stamps, Rollers and Other Printmaking Techniques. Laurence King Publishing, London, UK. ISBN Hardback: 9781780678658

Fowler, Stephen (2017) Rubber Stamps an Official Language. In: All Inked Up, Friday 13th October 2017, University of the Creative Arts, Canterbury, 12 Edward Rd, Canterbury. (Unpublished)

G

Gamble, Maureen (2017) Marking Time. [Show/Exhibition]

Gamble, Maureen (2016) Something of Place: 140 Rules for Life (Portfolio). UNSPECIFIED.

Gamble, Maureen (2018) Word of Mouth. [Show/Exhibition]

Gamble, Maureen (2018) Word of Mouth (Portfolio). UNSPECIFIED.

Gamble, Maureen (2019) Word of Mouth (follow-up artist printed book). AB Press, Bristol.

Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174, Bowers, Christopher ORCID: https://orcid.org/0000-0002-5076-512X and Price, Marc (2016) A Practical Approach to Using Motion Capture in Performance Dance. Electronic Visualisation and the Arts. pp. 284-286. ISSN 1477-9358

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Alight. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2021) Around 3.35pm. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) Bread and Circuses. In: Reflections on The Ring, 30 January, 2019, The Arthouse, University of Worcester. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2020) Even in Exile. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Free for All Forever (2016). [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2015) Freedom Lies. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Ganas de Vivir. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2018) God So Loves Decay. In: Curating Resistance: Punk as Archival Methos, Feb 9-10, 2018, UCLA, Los Angeles, USA. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) God So Loves Decay (Performance). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) History is Written by the Winners. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) If You Build it, They Will Come. In: Art School - Location - Agency, 16-18th March, 2016, Bath Spa University. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) It All Began with Richard Burton. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) The Last Judgement. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2017) MIGRANT Press (Revisited). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Metal Militia. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) The Murenger and Other Stories. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 Public Works (Portfolio). UNSPECIFIED. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Pura Vida (Reykjavík). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations (Portfolio). UNSPECIFIED. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations (SYSON Gallery). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations: The Poison of Free Thought Pt. I. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations: The Poison of Free Thought Pt.II. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) S Mark Gubb - Revelations. Landfill Editions and Syson Gallery, Nottingham. ISBN 9780992803131

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) S Mark Gubb/Derek Boshier - The Last Judgement/It's Only When the Tide Goes Out... MOSTYN, Llandudno, Wales. ISBN 978-1-9160794-0-3

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2018) Wassail. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 and Cardwell, T. (2019) Hiraeth. In: Punk Scholars Network 6th Annual Conference and Postgraduate Symposium, 16-17 December 2019, Newcastle University. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 and Davies, N. (2014) History is Written by the Winners (Risograph Publication). Exeter Phoenix, Exeter, UK.

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 and Gower, J. (2016) Man of Ice. CCQ Magazine, 11. pp. 28-33. ISSN 20536880

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Hickey, Tobias, Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 and Fowler, Stephen (2018) Migrations - Nami Island November 2018. UNSPECIFIED. (Unpublished)

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Irving, Reuben ORCID: https://orcid.org/0000-0003-3055-7806 (2023) Small Axe Radical Short Film Awards at the Green Gathering 2023. [Show/Exhibition]

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Kohe, Geoff (2012) Decorative Dashes: Disrobing the Fabric of Streaking. Costume: The Journal of the Costume Society, 46. pp. 197-211. ISSN 0590-8876

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Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Exchange Programme). UNSPECIFIED. (Unpublished)

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Exhibition). [Show/Exhibition]

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2017) The Rejoinders (Portfolio). UNSPECIFIED.

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Web-platform). UNSPECIFIED.

McCannon, Desdemona ORCID: https://orcid.org/0000-0002-4000-8766 (2015) Editorial: Symposium Report: The Itinerant Illustrator, 18–19 December 2014. Journal of Illustration, 2 (2). pp. 169-173. ISSN Print: 2052-0204 Online: 2052-0212

McCannon, Desdemona and Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) Contemporary Illustrative Responses to the European Refugee Crisis. In: CONFIA 2019 Proceedings. Instituto Politécnico do Càvado e do Ave, Barcelos, Portugal, pp. 477-488. ISBN 978-989-54489-1-3

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Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) British Art Cinema: Creativity, Experimentation and Innovation. Manchester University Press, Manchester. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) British Rural Landscapes on Film. Manchester University Press, Manchester. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Film and the repossession of rural space. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 190-198. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 162-179. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) ‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History. Journal of British Cinema and Television, 13 (2). pp. 262-277. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Introduction: approaching British rural landscapes on film. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2017) Shaun of the Dead and the Construction of Cult Space in Millennial London. In: London on Film: The City and Social Change. Screening Spaces . Palgrave Macmillan, Cham, Switzerland, pp. 193-203. ISBN 978-3-319-64978-8 (Print) 978-3-319-64979-5 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) Space, Place and Architecture in British Films: The Case of Last Resort (2000). In: A Companion to British and Irish Cinema. Wiley Blackwell Companions to National Cinemas . John Wiley & Sons, Hoboken, NJ, pp. 372-385. ISBN 9781118477519 (Print) 9781118482889 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010). The New Soundtrack, 6 (2). pp. 129-142. ISSN Print: 2042-8855 Online: 2042-8863

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2015) We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades. Visual Culture in Britain, 16 (3). pp. 331-347. ISSN Print: 1471-4787 Online: 1941-8361

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) The reputation of Nicolas Roeg. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 128-143. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) sleep furiously: interview with Gideon Koppel. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 180-189. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2019) Introduction: British art cinema: creativity, experimentation and innovation. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 12-44. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2016) Introduction: Post-millennial British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 233-242. ISSN Print: 1743-4521 Online: 1755-1714

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Price, Colin ORCID: https://orcid.org/0000-0002-2173-9897 (2007) Can the Fine Arts Inform Software Development? (From 20th Century Russian Constructivism to 21st Century Java). In: Java in the Computing Curriculum Conference, January 2007, London Metropolitan University. (Unpublished)

Price, Colin ORCID: https://orcid.org/0000-0002-2173-9897 (2005) The Visual Arts as a Canvas for Teaching Computer Programming. In: The Third International Conference on New Directions in the Humanities, 2nd - 5th August 2005, University of Cambridge, UK. (Unpublished)

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Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Back to The Artwork of the Future: Transformation, Emotion and Participation in the Opera-Related Works of Joshua Sofaer. In: Joshua Sofaer: Performance, Objects, Participation. Intellect Live . Live Art Development Agency, Intellect Books, Bristol. ISBN 9781789380910

Stevenson, Andy (2018) Significant People: Key Stage 1 Activity Book. The National Archives, Kew, London.

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Taylor, Simon ORCID: https://orcid.org/0000-0001-6525-9361 (2020) Harnessing the power of the white cube: The contemporary art gallery as a liminal space for multisensory learning. In: Leap into Action. Peter Lang AG, New York, Bern, Berlin, Bruxelles, Oxford, Wien, pp. 183-192. ISBN 978-1-4331-6642-6 (eISBN)

Toon, Wendy ORCID: https://orcid.org/0000-0002-7876-3214 (2015) ‘Real war ammunition’: The National War Poster Competition, 1942. In: Symposium on Art from the Second World War, 20 November, University of St Andrews. (Unpublished)