Items where Subject is "N Fine Arts > NX Arts in general"

A

Allen, Richard (2017) The Bones of Breakheart Quarry. [Video]

Allen, Richard (2012) Garage Band: A Site-Specfic Performance 24/05/2012 - 27/05/2012. [Show/Exhibition]

Allen, Richard (2013) Ghost Machine: a Sound Performance. [Performance]

Allen, Richard (2018) Illusiontext Richard Allen (after Goat Island). Performance Research: A Journal of the Performing Arts, 23 (4-5). pp. 456-457. ISSN Print: 1352-8165 Online: 1469-9990

Allen, Richard (2012) Kantor's Anthropological Machine. Studia Ubb Dramatica, LVII (1). pp. 75-91.

Allen, Richard (2018) The Killers: Investigating Binaural Sound Design Through the Making of Headphone Theatre (Portfolio). Broken Apparatus.

Allen, Richard (2018) The Killers: Site-Specific Performance. [Show/Exhibition]

Allen, Richard (2017) MAYK Thought Residency. [Audio] (Unpublished)

Allen, Richard (2013) The Object Animates: Displacement and Humility in the Theatre of Philippe Quesne. Performance Research: A Journal of the Performing Arts, 18 (3). pp. 119-125. ISSN Print: 1352-8165 Online: 1469-9990

Allen, Richard (2015) Panoramic Sea Happening (After Kantor): Video Installation. [Video]

Allen, Richard (2018) Pick Up: Sound Installation for a Phone Box. [Show/Exhibition]

Allen, Richard (2016) Theatrical Latency: Walking Katrina Palmer’s The Loss Adjusters. Theatre and Performance Design, 2 (3-4). pp. 266-278. ISSN Print: 2332-2551 Online: 2332-2578

Allen, Richard (2016) The Theatricality of Objects: Object Theatre Beyond the Puppet. Ånd i hanske. ISSN 0800-2479

Allen, Richard The Weird World of Donald Trump: Video Essay. [Video]

Allen, Richard and May, S. (2015) Encountering Anthropomorphism (Editorial). Performance Research: A Journal of the Performing Arts, 20 (2). pp. 1-3. ISSN Print: 1352-8165 Online: 1469-9990

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Bradburn, John (2016) The Mountain of Dead Selves. [Artefact]

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Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2022) The Archive, the Historian, and the Relationships of Change. Pamiętnik Teatralny, 71 (2). pp. 35-54. ISSN 2658-2899

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2016) A City's Toys: Theatre in Birmingham 1914-1918. In: British Theatre and the Great War, 1914-1919: New Perspectives. Palgrave Macmillan, Basingstoke, pp. 215-233. ISBN eBook: 978-1-137-40200-4 Hardcover: 978-1-137-40199-1

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2012) Engaging the Audience: A Comparative Analysis of Developmental Strategies in Birmingham and Leicester since the 1990s. In: Critical Essays on British South Asian Theatre. Exeter University Press, Exeter, pp. 100-118. ISBN 9780859898355

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2015) 'Producing the Scene': the Evolution of the Director in British Theatre 1900-50. In: British Theatre and Performance 1900-1950. Critical Companions . Bloomsbury Methuen Drama, London, pp. 199-212. ISBN Paperback: 9781408165652 Hardback: 9781408174920

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (1993) Shakespeare and the Birmingham Repertory Theatre 1913-1929. Society for Theatre Research, London. ISBN Hardcover: 0854300538

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2016) Shakespeare and the Re/Vision of Indian Heritage in the Postcolonial British Context. In: Performing Shakespeare in India: Exploring Indianness, Literature and Culture. SAGE Publications, New Delhi, pp. 60-76. ISBN eBook: 9789351509738 Hardcover: 9351509745

Cooper, C., Dalmasso, Frederic and Lamb, T. (2013) The ‘Problem’ of Youth 2012-13 - Participatory Action Research & Drama Workshops. In: Verbatim theatre workshops, Mar 15th, Apr 13th, Apr 18th, Apr 26th, May 4th, May 9th 2013, University of Hull. (Unpublished)

Cousins, E., Tischler, V., Garabedian, Claire ORCID: https://orcid.org/0000-0002-2243-4120 and Dening, T. (2020) A Taxonomy of Arts Interventions for People With Dementia. The Gerontologist, 60 (1). pp. 124-134. ISSN Print: 0016-9013 Online: 1758-5341

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2019) In the House of the Man Eater. In: Beau Dick: Devoured by Consumerism. Figure 1, Vancouver. ISBN 9781773270869

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2020) Sketch 2 for a Time Slip Installation. The International Journal of Creative Media Research (5). ISSN 2631-6773

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2016) The Skullcracker Suite: A Long-term Interdisciplinary Artistic Research Project Investigating Processes of Cultural Decolonisation in British Columbia (Portfolio). UNSPECIFIED. (Unpublished)

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2020) A Taste for Blood and Truth: Bill Gunn’s Ganja and Hess (1973). In: Scared Sacred: Idolatry, Religion and Worship in the Horror Film. House of Leaves, United Kingdom, pp. 303-339. ISBN 9781999373801

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2017) Undead Uprising: Haiti, Horror and the Zombie Complex. Strange Attractor/MIT, United Kingdom. ISBN 9781907222474

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460, Burrows, D., Kenning, D. and Yacoob, M. (2021) Diagram Research Group Delta (Δ) Research Placement at Flat Time House. [Show/Exhibition]

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 and Cutler, R.L. (2019) Special Investigations. In: Knowings and Knots: Methodologies and Ecologies in Research Creation. University of Alberta Press, Alberta, Canada, pp. 265-276. ISBN 9781772124859

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Dalmasso, Frederic (2013) Badiou's Spectator-Subject and Fireworks Politics. Performance Research, 18 (1). pp. 77-83. ISSN 1352-8165

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Artworks for the 'Migrations' exhibition, Bratislava, Slovakia, 2017. [Image] (Unpublished)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) Book Review - Circle. Written By: Mac Barnett, Illustrated By: Jon Klassen. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Book Review: Pierre The Maze Detective: The Mystery of the Empire Maze Tower, Written By:Chihiro Maruyama, Translated By: Emma Sakamiya, Illustrated By; Hirofumi Kamigaki & IC4DESIGN. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review: Robinson, Written and Illustrated By: Peter Sis. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2016) Book Review: Vincent’s Starry Night and Other Stories: A Children’s History of Art, Written By: Michael Bird, Illustrated By: Kate Evans. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Book Review:Free Hand: New Typography Sketchbooks, Written By: Steve Heller & Lita Talarico. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2018) Creative Quarterly 100 Best Annual 2017. In: Creative Quarterly 100 Best Annual 2017. Artisanal Media LLC, p. 65. ISBN 978-1-946750-06-8

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Farewell. [Image] (In Press)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) 'Here and There'. Exhibited at the Illustration Research Symposium November 2019, University of Worcester. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2017) Migrations Exhibition Report. Other. Association of Illustrators.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 Professional Runner-up - Diomira Map. [Image] (In Press)

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) 'The Seance' - Selected for the Tapirulan Illustrators Contest 2019. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2019) 'The Seance' - image included in 'SUPER', the exhibition catalogue of the Tapirulan Illustrators Contest 2019. [Image]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125, Hickey, Tobias, Fowler, Stephen, Palmer, Rebecca, Grobler, Petrus and Lovejoy, Taz (2017) Migrations Exhibition. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125, Hickey, Tobias, Fowler, Stephen, Palmer, Rebecca, Grobler, Petrus and Lovejoy, Taz (2017) A video of the 'Migrations' exhibition. [Show/Exhibition]

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 and Stevenson, Andy (2017) Walk, See, Create: Google-Mapping Collaboration. In: University of Worcester, Beyond Boundaries - Learning, Teaching and Student Experience conference, 2017, 15th - 16th June 2017, Worcester, UK. (Unpublished)

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Elliott, Paul (2018) "Its Only Rock and Roll”: John Byrne’s Scotland. International Journal of Scottish Theatre and Screen, 11 (1). pp. 103-118. ISSN 2046-5602

Elliott, Paul (2017) Through Class Darkly: Class in the British TV Noir. In: Social Class and Television Drama in Contemporary Britain. Palgrave Macmillan, Basingstoke, pp. 61-74. ISBN 978-1-137-55505-2 eBook: 978-1-137-55506-9

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Fisher, James and De Cordova, D. (2017) Plaything. [Show/Exhibition]

Fowler, Stephen (2017) Bigfoot Sketching. Fortean Times (360). pp. 6-7.

Fowler, Stephen (2017) Minnesota Centre for Book Arts S. Helmes & W. Gaglione Rubber Stamp Archive's Rubber Stamp Artist Residency (Portfolio). UNSPECIFIED. (Unpublished)

Fowler, Stephen (2016) Rubber Stamping: Get Creative with Stamps, Rollers and Other Printmaking Techniques. Laurence King Publishing, London, UK. ISBN Hardback: 9781780678658

Fowler, Stephen (2017) Rubber Stamps an Official Language. In: All Inked Up, Friday 13th October 2017, University of the Creative Arts, Canterbury, 12 Edward Rd, Canterbury. (Unpublished)

Fowler, Stephen, Eastwood, P. and Dunne, C. (2017) Made Up - SPECIAL Printed Matter. (3rd Edition). Little Riot Press, Lincoln.

Fowler, Stephen, Helmes, S. and Gaglione, W. (2017) Rubber Stamps. Cafe Royal.

Fowler, Stephen and Pardo, Jaime Experimental Collage - An Exhibition by Illustration & Animation 1st Year Students from the University of Worcester. [Show/Exhibition]

Fowler, Stephen and Price, H. (2017) B.A.B.E (Bristol Book Art Event) Passport Office. [Show/Exhibition]

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Galpin, Pippa (2018) Ceramic print and the haptic. [Show/Exhibition]

Galpin, Pippa (2017) Ceramics and the Haptic. In: International Ceramics Festival, 30th June - 2nd July 2017, Aberystwyth University. (Unpublished)

Galpin, Pippa (2016) Ceramics and the Haptic - A Case Study Sited in Worcester Cathedral. PhD thesis, Bath Spa University.

Galpin, Pippa (2018) Ceramics and the Haptic: A Haptic Exploration of Space (Portfolio). UNSPECIFIED. (Unpublished)

Galpin, Pippa (2019) Floor rubbings - illuminating secrets. A haptic exploration of a domestic setting. [Show/Exhibition]

Galpin, Pippa (2017) The Haptic Font - 'Library of Pilgrimage'. [Show/Exhibition]

Galpin, Pippa (2015) Museum Box Project ‘something of place’. [Show/Exhibition]

Galpin, Pippa (2013) Review of 'A Theory of Craft; Function and Aesthetic Experience'. Interpreting Ceramics, 15. ISSN 1471-146X

Gamble, Maureen (2017) Marking Time. [Show/Exhibition]

Gamble, Maureen (2016) Something of Place: 140 Rules for Life. In: The 13th International ACE Conference, 'The Artist as Pilgrim, Saint, Scholar?' Trinity College, Dublin, 4th - 8th July 2016, Dublin. (Unpublished)

Gamble, Maureen (2016) Something of Place: 140 Rules for Life (Portfolio). UNSPECIFIED.

Gamble, Maureen (2018) Word of Mouth. [Show/Exhibition]

Gamble, Maureen (2018) Word of Mouth (Portfolio). UNSPECIFIED.

Gamble, Maureen (2019) Word of Mouth (follow-up artist printed book). AB Press, Bristol.

Garton, R. and Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 (2019) 'No Woman's Land'. Case Study. In: Artistic Directors and Performers, Zoo Indigo, UK/Germany No Woman’s Land (2017). Red Globe Press (imprint of Macmillan International), London, pp. 179-183. ISBN Paperback – 9781137611574, Hardcover – 9781137611581, Ebook – 9781137611598

Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174 (2018) Using Microsoft OneNote as a Portfolio Tool for a Higher Education Dance Curriculum. In: The 16th Academic Practice and Technology Conference, 3rd July 2018, Greenwich Maritime Campus, London. (Unpublished)

Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174, Bowers, Christopher ORCID: https://orcid.org/0000-0002-5076-512X and Price, Marc (2016) A Practical Approach to Using Motion Capture in Performance Dance. Electronic Visualisation and the Arts. pp. 284-286. ISSN 1477-9358

Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174 and Shaw, A. (2014) Augmenting Live Performance Dance through Mobile Technology. BCS-HCI '14 Proceedings of the 28th International BCS Human Computer Interaction Conference on HCI 2014 - Sand, Sea and Sky - Holiday HCI. pp. 311-316.

Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174 and Smith-Nunes, G. (2015) [arra]stre - a Data-driven Ballet. Electronic Visualisation and the Arts. pp. 90-91.

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Alight. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2021) Around 3.35pm. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) Bread and Circuses. In: Reflections on The Ring, 30 January, 2019, The Arthouse, University of Worcester. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2020) Even in Exile. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Free for All Forever (2016). [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2015) Freedom Lies. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Ganas de Vivir. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2018) God So Loves Decay. In: Curating Resistance: Punk as Archival Methos, Feb 9-10, 2018, UCLA, Los Angeles, USA. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) God So Loves Decay (Performance). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) History is Written by the Winners. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) If You Build it, They Will Come. In: Art School - Location - Agency, 16-18th March, 2016, Bath Spa University. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) It All Began with Richard Burton. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) The Last Judgement. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2017) MIGRANT Press (Revisited). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Metal Militia. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) The Murenger and Other Stories. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 Public Works (Portfolio). UNSPECIFIED. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2014) Pura Vida (Reykjavík). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations (Portfolio). UNSPECIFIED. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations (SYSON Gallery). [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations: The Poison of Free Thought Pt. I. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) Revelations: The Poison of Free Thought Pt.II. [Show/Exhibition]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2016) S Mark Gubb - Revelations. Landfill Editions and Syson Gallery, Nottingham. ISBN 9780992803131

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2019) S Mark Gubb/Derek Boshier - The Last Judgement/It's Only When the Tide Goes Out... MOSTYN, Llandudno, Wales. ISBN 978-1-9160794-0-3

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2018) Wassail. [Artefact]

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 and Cardwell, T. (2019) Hiraeth. In: Punk Scholars Network 6th Annual Conference and Postgraduate Symposium, 16-17 December 2019, Newcastle University. (Unpublished)

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 and Gower, J. (2016) Man of Ice. CCQ Magazine, 11. pp. 28-33. ISSN 20536880

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Hassall, Lee (2012) Performing Monstrosity in the City. In: Performing Monstrosity in the City, September 2012, Queen Mary University, London. (Unpublished)

Hassall, Lee (2013) Postcards From Hashima. In: Geography Series Exeter University, February 2013. (Unpublished)

Hassall, Lee (2013) Postcards From Hashima. In: Association of Asian Studies Conference, San Diego, California, US.. (Unpublished)

Hassall, Lee (2011) Trace: Displaced. Parthian, Swansea. ISBN 978-1-906998-04-2

Hazell, Paul and Fallan, K. (2015) The Enthusiast’s Eye: The Value of Unsanctioned Knowledge in Design Historical Scholarship. Design and Culture, 7 (1). pp. 107-123. ISSN 1754-7075 Online: 1754-7083

Hickey, Tobias, Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 and Fowler, Stephen (2018) Migrations - Nami Island November 2018. UNSPECIFIED. (Unpublished)

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James, David (2009) The Potential of the Global Cultural Industries. In: Creative Industries World Conference, 19-20 October 2009, Communication University of China, Beijing.

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Kohe, Geoff (2018) Running With the Ball? Making a Play for Sport Heritage Archives in Higher Education Contexts. International Journal of Heritage Studies, 24 (3). pp. 256-269. ISSN Print: 1352-7258 Online: 1470-3610

Kohe, Geoff and Newman, Joshua (2011) Body Commons: Toward an Interdisciplinary Study of the Somatic Spectacular. Brogla: An Australian Journal About Dance, 35 (Dec.). pp. 65-74. ISSN 1322-76545

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Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Exchange Programme). UNSPECIFIED. (Unpublished)

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Exhibition). [Show/Exhibition]

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2017) The Rejoinders (Portfolio). UNSPECIFIED.

Mathews, Jess ORCID: https://orcid.org/0000-0002-0778-398X (2018) The Rejoinders (Web-platform). UNSPECIFIED.

McCannon, Desdemona ORCID: https://orcid.org/0000-0002-4000-8766 (2014) Editorial. Journal of Illustration, 1 (1). pp. 3-8. ISSN Print: 2052-0204 Online: 2052-0212

McCannon, Desdemona ORCID: https://orcid.org/0000-0002-4000-8766 (2014) Editorial. Journal of Illustration, 1 (2). pp. 173-175. ISSN Print: 2052-0204 Online: 2052-0212

McCannon, Desdemona (2020) The Illustrated Pilgrim: Practice-led strategies towards an understanding of the feminine sublime at sites of worship in North Wales. In: Illustrating Identity-ies/Illustrer l’identité. Vol. 10. Collection Book Practices & Textual Itineraries. Éditions Universitaires de Lorraine, 10 . PU de Nancy, Nancy. ISBN 978-2-8143-0580-9

Mora-Avila, Paulo and Ria, Wiid ORCID: https://orcid.org/0000-0002-8454-7833 (2017) Engaging Art Consumers in the Social Media Ecosystem. In: 50th Academy of Marketing Annual Conference on Freedom Through Marketing, 3rd - 6th July 2017, Hull University Business School, UK. (Unpublished)

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Parham, John (2019) Stretching and Bending the Frame – Green Possibilities in Popular Romantic Narratives. Green Letters: Studies in Ecocriticism, 22 (3). pp. 301-312. ISSN 2168-1414

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Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 (2011) Virtual Infants in Zoo Indigo’s Under the Covers This is Now, This is Live…. Body, Space & Technology Journal, 02. ISSN 1470-9120

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2017) Maternal Ruptures/Raptures: Leakages of the Real. Performance Research: A Journal of the Performing Arts, 22 (4). pp. 36-43. ISSN Print: 1352-8165 Online: 1469-9990

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2016) No Woman's Land. [Performance]

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. No Woman's Land - Film Documentary. [Video]

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2020) No Woman’s Land - Walking as a Dramaturgical Device in Performance of Maternal Migration. Critical Stages, Dec 19 (20).

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Savin-Baden, Maggi and Wimpenny, K. (2014) A Practical Guide to Arts-related Research. Sense Publishers, Rotterdam. ISBN 9462098131, 9789462098138

Schad, J. and Dalmasso, Frederic (2015) Last Train to Oxford (Someone Called Derrida). [Show/Exhibition] (Unpublished)

Smith-Nunes, G., Cook, P., Neale, Camilla and Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174 (2016) Data Network Simulator with Classical Ballet. Electronic Visualisation and the Arts. pp. 70-75. ISSN 1477-9358

Smith-Nunes, G., Shaw, A. and Neale, Camilla (2018) PainByte: Chronic Pain and BioMedical Engineering Through the Lens of Classical Ballet & Virtual Reality. In: Proceedings of the Twelfth International Conference on Tangible, Embedded, and Embodied Interaction. ACM Press, pp. 493-497. ISBN 978-1-4503-5568-1

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Back to The Artwork of the Future: Transformation, Emotion and Participation in the Opera-Related Works of Joshua Sofaer. In: Joshua Sofaer: Performance, Objects, Participation. Intellect Live . Live Art Development Agency, Intellect Books, Bristol. ISBN 9781789380910

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Dancing 'Nessun Dorma'. In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 and McFadden, Becka (2021) Příhody lišky Bystroušky (The Cunning Little Vixen) Ecopolitics and Nationalism. In: IFTR Galway (online), 12th to 16th July 2021, Galway (online). (Unpublished)

Swift, Elizabeth (2012) The Live/Mediated Mash. International Journal of Performance Arts and Digital Media, 8 (2). pp. 255-258. ISSN Print: 1479-4713 Electronic: 2040-0934

Swift, Elizabeth (2010) Really Doing It – An Exploration of Strategies for Interaction in Intermedial Performance. In: American Society for Theatre Research Conference: Work over Time., November 2010, Seattle, US. (Unpublished)

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Taylor, Simon ORCID: https://orcid.org/0000-0001-6525-9361 (2020) Harnessing the power of the white cube: The contemporary art gallery as a liminal space for multisensory learning. In: Leap into Action. Peter Lang AG, New York, Bern, Berlin, Bruxelles, Oxford, Wien, pp. 183-192. ISBN 978-1-4331-6642-6 (eISBN)

Toon, Wendy ORCID: https://orcid.org/0000-0002-7876-3214 (2007) "Fall‐Out Shelters for the Human Spirit: American Art and the Cold War" by Michael L. Krenn (Book Review). History: The Journal of the Historical Association, 92 (308). pp. 549-550. ISSN Online: 1468-229X

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Wheeler, Mike, Prankel, Susanne, Swift, Elizabeth, Fisher, Julie and Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2014) All the Lab's a Stage: the Use of Drama to Promote Engagement in Higher Education Science. In: The Society of Experimental Biology (SEB) Annual Meeting, 1st - 4th July 2014, University of Manchester. (Unpublished)

Wheeler, Tim ORCID: https://orcid.org/0000-0002-8612-7111 Reflecting on Change: Exploring an international disability arts programme. Project Report. The British Council, London.

Wiid, Ria ORCID: https://orcid.org/0000-0002-8454-7833 and Mora-Avila, Paulo (2018) Arts Marketing Framework: The Arts Organisation as a Hub for Participation. Journal of Public Affairs, 18 (2). e1657. ISSN 1472-3891 Online: 1479-1854