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Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Group by: Creators | Item Type
Jump to: B | C | D | K | L | P | R | S
Number of items at this level: 20.

B

Botham, Paola (2009) Redefining Political Theatre in Post-Cold War Britain (1990-2005): An Anlysis of Contemporary British Political Plays. PhD thesis, Coventry University in collaboration with the University of Worcester.

C

Cochrane, Claire (2003) The Birmingham Rep: A City's Theatre 1962-2002. Sir Barry Jackson Trust, Birmingham. ISBN 0954571908

Cochrane, Claire (2003) "The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939. New Theatre Quarterly, 19 (2). pp. 169-176. ISSN 0266-463X

Cochrane, Claire (2016) Facing the Face of the Other: The Case of the Nia Centre. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 121-146. ISBN 978-1-137-45727, 1137457279

Cochrane, Claire (2006) "A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s. In: Alternatives Within the Mainstream British Black and Asian Theatres. Cambridge Scholars Press, Newcastle, pp. 153-171. ISBN 1904303668

Cochrane, Claire (2012) 'Patronage and Pragmatism: The Art of Compromise in the English Regional Context'. In: 'Subsidy, Patronage &Sponsorship: Theatre Performance Culture in Uncertain Times', 19-21 July 2012, Victoria and Albert Museum. (Unpublished)

Cochrane, Claire (2001) "The Pervasiveness of the Commonplace": the Historian and Amateur Theatre. Theatre Research International, 26 (3). pp. 233-242. ISSN 0307-8833

Cochrane, Claire (2011) Twentieth Century British Theatre Industry, Art and Empire. Cambridge University Press, Cambridge. ISBN 9780521464888

Cochrane, Claire and Robinson, J. (2016) Introduction to Theatre History and Historiography Ethics, Evidence and Truth. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 1-29. ISBN 978-1-137-727-1, 1137457279

Cochrane, Claire and Robinson, J. (2016) Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK. ISBN 978-1-137-727-1, 1137457279

D

Dalmasso, Frederic and Baines, R. (2010) Musical Realisations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In: Staging Translation: Text and Theatre Practice. Palgrave Macmillan, pp. 49-71. ISBN 9780230228191

K

Kowalski, Jenny (1998) Theatre Review : Edward Bond's In The Company Of Men. (The Pit 7.12.1996). Worcester Papers in English and Cultural Studies (2). p. 1998.

L

Leighton, Francesca (2005) An Exploration Through Practice of how the Identity Category of Disability Might be (Re)Constituted During a Creative Performance Process. PhD thesis, Coventry University in collaboration with University of Worcester..

P

Pearson, Richard (2008) 'Dramatic Grub Street' or, The Trouble with Victorian Plays (Inaugural Lecture by Professor Richard Pearson). In: Inaugural Lecture by Professor Richard Pearson, 4th March 2008, University of Worcester. (Unpublished)

Pierce-Jones, Roy (2006) "Hosing Off the Heraldry": Critical Reactions to Shakespeare's History Plays at Stratford. Worcester Papers in English and Cultural Studies (4).

R

Reeves, Alison (2011) Why Bother? Can Theatre in Education Help Promote a University Education? Worcester Journal of Learning and Teaching (6). ISSN 2024-8032

Roberts, David (1997) Hamlet and the Frailty of Woman. Worcester Papers in English and Cultural Studies (1).

S

Somerville, Daniel (2016) Dancing 'Nessun Dorma'. In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton. (Unpublished)

Somerville, Daniel (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent. (Submitted)

Swift, Elizabeth (2012) Babble - A Site-specific Performance in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]

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