Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

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Bold, Justine (2018) The Reproductive Page. [Performance] (Unpublished)

Botham, Paola (2009) Redefining Political Theatre in Post-Cold War Britain (1990-2005): An Anlysis of Contemporary British Political Plays. PhD thesis, Coventry University in collaboration with the University of Worcester.

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Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2017) Hamlet from the Bloc: 1990 and 2010. The Annals of Ovidius University Constanța: Philology Series, XXVII (1). pp. 97-107. ISSN 1223-7248

Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2016) Handling Ophelia: a Story in Four Unscripted Scenes. New Theatre Quarterly, 32 (4). pp. 307-317. ISSN Print: 0266-464X Online: 1474-0613

Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2015) Titus Andronicus by TeatrPolski, and: Titus Andronicus by Hiraeth Artistic Productions. Shakespeare Bulletin, 33 (1). pp. 135-141. ISSN 0748-2558 Online: 1931-1427

Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2017) What Country, Friends, Is This? In: Shakespeare's Rome Summer School, 5-10 September 2017, Roma Tre, Italy. (Unpublished)

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2017) Birmingham Rep, Youth and Community, and the Products and Possibilities of Precarity. The Journal of Applied Theatre and Performance (RIDE), 22 (1). pp. 36-49. ISSN 1356-9783 Online: 1470-112X

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2003) The Birmingham Rep: A City's Theatre 1962-2002. Sir Barry Jackson Trust, Birmingham. ISBN 0954571908

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2003) "The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939. New Theatre Quarterly, 19 (2). pp. 169-176. ISSN 0266-463X

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2016) Facing the Face of the Other: The Case of the Nia Centre. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 121-146. ISBN 978-1-137-45727, 1137457279

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2018) The Haunted Theatre: Birmingham Rep, Shakespeare and European Exchanges. Cahiers Elisabethains, 96 (1). pp. 75-88. ISSN 0184-7678 Online: 2054-4715

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2006) "A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s. In: Alternatives Within the Mainstream British Black and Asian Theatres. Cambridge Scholars Press, Newcastle, pp. 153-171. ISBN 1904303668

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2012) 'Patronage and Pragmatism: The Art of Compromise in the English Regional Context'. In: 'Subsidy, Patronage &Sponsorship: Theatre Performance Culture in Uncertain Times', 19-21 July 2012, Victoria and Albert Museum. (Unpublished)

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2001) "The Pervasiveness of the Commonplace": the Historian and Amateur Theatre. Theatre Research International, 26 (3). pp. 233-242. ISSN 0307-8833

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2011) Twentieth Century British Theatre Industry, Art and Empire. Cambridge University Press, Cambridge. ISBN 9780521464888

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J. (2016) Introduction. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 1-29. ISBN 978-1-137-727-1, 1137457279

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J. (2016) Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK. ISBN 978-1-137-727-1, 1137457279

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Dalmasso, Frederic and Baines, R. (2010) Musical Realisations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In: Staging Translation: Text and Theatre Practice. Palgrave Macmillan, pp. 49-71. ISBN 9780230228191

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Foulquie, Guillaume (2018) Play Review: Richard II. Cahiers Élisabéthains : A Journal of English Renaissance Studies, 97 (1). pp. 114-116. ISSN Print: 0184-7678 Online: 2054-4715

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Kowalski, Jenny (1998) Theatre Review : Edward Bond's In The Company Of Men. (The Pit 7.12.1996). Worcester Papers in English and Cultural Studies (2). p. 1998.

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Leighton, Francesca (2005) An Exploration Through Practice of how the Identity Category of Disability Might be (Re)Constituted During a Creative Performance Process. PhD thesis, Coventry University in collaboration with University of Worcester..

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Pearson, Richard (2008) 'Dramatic Grub Street' or, The Trouble with Victorian Plays (Inaugural Lecture by Professor Richard Pearson). In: Inaugural Lecture by Professor Richard Pearson, 4th March 2008, University of Worcester. (Unpublished)

Pierce-Jones, Roy (2006) "Hosing Off the Heraldry": Critical Reactions to Shakespeare's History Plays at Stratford. Worcester Papers in English and Cultural Studies (4).

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Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2014) Heroism and Adventurism: Can Applied Theatre Practices Give Participants the Experience of Being the Heroes and Heroines of Their Own Stories? In: TaPRA (Theatre & Performance Research Association) 2014 Annual Conference, 3rd - 5th September 2014, Royal Holloway campus, Egham. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2012) Higher Education - Border or Boundary? Can Theatre in Education Help Promote a University Education? In: 7th International Drama in Education Research Institute, 10th - 15th July 2012, Mary Immaculate College, University of Limerick. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2015) The Silent Majority: an Exploration of the Integration of Voting Software within Theatre in Education programmes. In: Inspiring Curiosity Conference, 21st - 22nd October 2015, Belgrade Theatre, Coventry. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2011) Why Bother? Can Theatre in Education Help Promote a University Education? Worcester Journal of Learning and Teaching (6). ISSN 2024-8032

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 and Neilson, S. (2018) ‘Don’t Talk Like That: It’s Not Just What You Say But How You Say It’: The Process of Developing an Applied Theatre Performance to Teach Undergraduate Nursing Students Communication Skills Around Paediatric End-of-Life Care. Journal of Applied Arts & Health, 9 (1). 99-111(13). ISSN 2040-2457 Online: 2040-2465

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2016) No Woman's Land. [Performance]

Roberts, David (1997) Hamlet and the Frailty of Woman. Worcester Papers in English and Cultural Studies (1).

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Sakowska, Aleksandra (2018) Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 96 (1). pp. 59-74. ISSN 0184-7678 Online: 2054-4715

Sokolova, B. and Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2017) The ‘Cumberbatch’ Hamlet (1):‘The Very Age and Body of the Time His Form and Pressure’. Cahiers Élisabéthains, 93 (1). pp. 124-132. ISSN 0184-7678, Online: 2054-4715

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2018) Admiring La Stupenda (Portfolio). UNSPECIFIED.

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Admiring La Stupenda: Edinburgh version 2019. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2014) Admiring La Stupenda: Wolverhampton version. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2018) Admiring La Stupenda: Worcester version 2018. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Admiring La Stupenda: ‘to camera’ version Worcester 2019. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Dancing 'Nessun Dorma'. In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2015) Pavarotti and Me (Portfolio). UNSPECIFIED. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Pavarotti and Me 2020. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Pavarotti and Me: a performance to camera 2019. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2015) The Search for the Operatic: Bridging the Gap Between the Spectatorial and Performer Positions Through Sketch-making and Embodiment Techniques. [Show/Exhibition]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent. (Unpublished)

Swift, Elizabeth (2012) Babble - A Site-specific Performance in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]

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Wheeler, Tim ORCID: https://orcid.org/0000-0002-8612-7111 (2018) Mind the Gap(s). In: Opening Doors to the Performing Arts: Difference and Diversity. Bonavia Offset Printers, Malta, pp. 61-76. ISBN 978-99957-1-399-7