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Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations

Sakowska, Aleksandra (2018) Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 96 (1). pp. 59-74. ISSN 0184-7678 Online: 2054-4715

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Abstract

Monika Pęcikiewicz belongs to a handful of Polish theatre directors who identify themselves as feminists. It is a very important stance as feminism in Poland is considered a left-leaning proclivity, shunned for fear of being considered post-communist, antisocial or anti-Catholic. For Pęcikiewicz, Shakespeare’s texts alone are not enough to realize her artistic vision. She has shifted her attention to the use of new digital technologies, to undermine the narrative, linear quality of Shakespeare’s stories. Ultimately Pęcikiewicz is intent on producing different levels of experience for her spectators with a focus on female experience in particular.

Item Type: Article
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Uncontrolled Keywords: adaptation, feminist, intermedial, post-dramatic, identity, politics, Polish theatre, William Shakespeare
Subjects: P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
P Language and Literature > PR English literature
Divisions: Academic Departments > Institute of Humanities and Creative Arts
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Depositing User: Aleksandra Sakowska
Date Deposited: 01 Mar 2019 10:31
Last Modified: 01 Mar 2019 10:31
URI: https://eprints.worc.ac.uk/id/eprint/7571

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