Items where Subject is "P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater"

Article

Cinpoes, Nicoleta (2017) Hamlet from the Bloc: 1990 and 2010. The Annals of Ovidius University Constanța: Philology Series, XXVII (1). pp. 97-107. ISSN 1223-7248

Cinpoes, Nicoleta (2016) Handling Ophelia: a Story in Four Unscripted Scenes. New Theatre Quarterly, 32 (4). pp. 307-317. ISSN Print: 0266-464X Online: 1474-0613

Cinpoes, Nicoleta (2015) Titus Andronicus by TeatrPolski, and: Titus Andronicus by Hiraeth Artistic Productions. Shakespeare Bulletin, 33 (1). pp. 135-141. ISSN 0748-2558 Online: 1931-1427

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2017) Birmingham Rep, Youth and Community, and the Products and Possibilities of Precarity. The Journal of Applied Theatre and Performance (RIDE), 22 (1). pp. 36-49. ISSN 1356-9783 Online: 1470-112X

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2003) "The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939. New Theatre Quarterly, 19 (2). pp. 169-176. ISSN 0266-463X

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2018) The Haunted Theatre: Birmingham Rep, Shakespeare and European Exchanges. Cahiers Elisabethains, 96 (1). pp. 75-88. ISSN 0184-7678 Online: 2054-4715

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2001) "The Pervasiveness of the Commonplace": the Historian and Amateur Theatre. Theatre Research International, 26 (3). pp. 233-242. ISSN 0307-8833

Foulquie, Guillaume (2018) Play Review: Richard II. Cahiers Élisabéthains : A Journal of English Renaissance Studies, 97 (1). pp. 114-116. ISSN Print: 0184-7678 Online: 2054-4715

Kowalski, Jenny (1998) Theatre Review : Edward Bond's In The Company Of Men. (The Pit 7.12.1996). Worcester Papers in English and Cultural Studies (2). p. 1998.

Pierce-Jones, Roy (2006) "Hosing Off the Heraldry": Critical Reactions to Shakespeare's History Plays at Stratford. Worcester Papers in English and Cultural Studies (4).

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2011) Why Bother? Can Theatre in Education Help Promote a University Education? Worcester Journal of Learning and Teaching (6). ISSN 2024-8032

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 and Neilson, S. (2018) ‘Don’t Talk Like That: It’s Not Just What You Say But How You Say It’: The Process of Developing an Applied Theatre Performance to Teach Undergraduate Nursing Students Communication Skills Around Paediatric End-of-Life Care. Journal of Applied Arts & Health, 9 (1). 99-111(13). ISSN 2040-2457 Online: 2040-2465

Roberts, David (1997) Hamlet and the Frailty of Woman. Worcester Papers in English and Cultural Studies (1).

Sakowska, Aleksandra (2018) Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 96 (1). pp. 59-74. ISSN 0184-7678 Online: 2054-4715

Sokolova, B. and Cinpoes, Nicoleta (2017) The ‘Cumberbatch’ Hamlet (1):‘The Very Age and Body of the Time His Form and Pressure’. Cahiers Élisabéthains, 93 (1). pp. 124-132. ISSN 0184-7678, Online: 2054-4715

Book Section

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2016) Facing the Face of the Other: The Case of the Nia Centre. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 121-146. ISBN 978-1-137-45727, 1137457279

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2006) "A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s. In: Alternatives Within the Mainstream British Black and Asian Theatres. Cambridge Scholars Press, Newcastle, pp. 153-171. ISBN 1904303668

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J. (2016) Introduction to Theatre History and Historiography Ethics, Evidence and Truth. In: Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK, pp. 1-29. ISBN 978-1-137-727-1, 1137457279

Dalmasso, Frederic and Baines, R. (2010) Musical Realisations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton. In: Staging Translation: Text and Theatre Practice. Palgrave Macmillan, pp. 49-71. ISBN 9780230228191

Wheeler, Tim ORCID: https://orcid.org/0000-0002-8612-7111 (2018) Mind the Gap(s). In: Opening Doors to the Performing Arts: Difference and Diversity. Bonavia Offset Printers, Malta, pp. 61-76. ISBN 978-99957-1-399-7

Conference or Workshop Item

Cinpoes, Nicoleta (2017) What Country, Friends, Is This? In: Shakespeare's Rome Summer School, 5-10 September 2017, Roma Tre, Italy. (Unpublished)

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2012) 'Patronage and Pragmatism: The Art of Compromise in the English Regional Context'. In: 'Subsidy, Patronage &Sponsorship: Theatre Performance Culture in Uncertain Times', 19-21 July 2012, Victoria and Albert Museum. (Unpublished)

Pearson, Richard (2008) 'Dramatic Grub Street' or, The Trouble with Victorian Plays (Inaugural Lecture by Professor Richard Pearson). In: Inaugural Lecture by Professor Richard Pearson, 4th March 2008, University of Worcester. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2014) Heroism and Adventurism: Can Applied Theatre Practices Give Participants the Experience of Being the Heroes and Heroines of Their Own Stories? In: TaPRA (Theatre & Performance Research Association) 2014 Annual Conference, 3rd - 5th September 2014, Royal Holloway campus, Egham. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2012) Higher Education - Border or Boundary? Can Theatre in Education Help Promote a University Education? In: 7th International Drama in Education Research Institute, 10th - 15th July 2012, Mary Immaculate College, University of Limerick. (Unpublished)

Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 (2015) The Silent Majority: an Exploration of the Integration of Voting Software within Theatre in Education programmes. In: Inspiring Curiosity Conference, 21st - 22nd October 2015, Belgrade Theatre, Coventry. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Dancing 'Nessun Dorma'. In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton. (Unpublished)

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent. (Unpublished)

Book

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2003) The Birmingham Rep: A City's Theatre 1962-2002. Sir Barry Jackson Trust, Birmingham. ISBN 0954571908

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2011) Twentieth Century British Theatre Industry, Art and Empire. Cambridge University Press, Cambridge. ISBN 9780521464888

Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J. (2016) Theatre History and Historiography Ethics, Evidence and Truth. Palgrave Macmillan, Basingstoke, UK. ISBN 978-1-137-727-1, 1137457279

Thesis

Botham, Paola (2009) Redefining Political Theatre in Post-Cold War Britain (1990-2005): An Anlysis of Contemporary British Political Plays. PhD thesis, Coventry University in collaboration with the University of Worcester.

Leighton, Francesca (2005) An Exploration Through Practice of how the Identity Category of Disability Might be (Re)Constituted During a Creative Performance Process. PhD thesis, Coventry University in collaboration with University of Worcester..

Show/Exhibition

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2015) The Search for the Operatic: Bridging the Gap Between the Spectatorial and Performer Positions Through Sketch-making and Embodiment Techniques. [Show/Exhibition]

Swift, Elizabeth (2012) Babble - A Site-specific Performance in Second Life for the 121212 UpStage Festival of Cyberformance. [Show/Exhibition]

Performance

Bold, Justine (2018) The Reproductive Page. [Performance] (Unpublished)

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2016) No Woman's Land. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Admiring La Stupenda: Edinburgh version 2019. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2014) Admiring La Stupenda: Wolverhampton version. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2018) Admiring La Stupenda: Worcester version 2018. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Admiring La Stupenda: ‘to camera’ version Worcester 2019. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Pavarotti and Me 2020. [Performance]

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2019) Pavarotti and Me: a performance to camera 2019. [Performance]

Other

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2018) Admiring La Stupenda (Portfolio). UNSPECIFIED.

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2015) Pavarotti and Me (Portfolio). UNSPECIFIED. (Unpublished)