Number of items at this level: 17.
"The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939.
New Theatre Quarterly, 19 (2).
"The Pervasiveness of the Commonplace": the Historian and Amateur Theatre.
Theatre Research International, 26 (3).
Theatre Review : Edward Bond's In The Company Of Men.
(The Pit 7.12.1996).
Worcester Papers in English and Cultural Studies (2).
"Hosing Off the Heraldry": Critical Reactions to Shakespeare's History Plays at Stratford.
Worcester Papers in English and Cultural Studies (4).
Why Bother? Can Theatre in Education Help Promote a University Education?
Worcester Journal of Learning and Teaching (6).
Hamlet and the Frailty of Woman.
Worcester Papers in English and Cultural Studies (1).
"A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s.
Alternatives Within the Mainstream British Black and Asian Theatres.
Cambridge Scholars Press, Newcastle, pp. 153-171.
Dalmasso, Frederic and Baines, R.
Musical Realisations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton.
Staging Translation: Text and Theatre Practice.
Palgrave Macmillan, pp. 49-71.
Conference or Workshop Item
'Patronage and Pragmatism: The Art of Compromise in the English Regional Context'.
In: 'Subsidy, Patronage &Sponsorship: Theatre Performance Culture in Uncertain Times', 19-21 July 2012, Victoria and Albert Museum.
'Dramatic Grub Street' or, The Trouble with Victorian Plays
(Inaugural Lecture by Professor Richard Pearson).
In: Inaugural Lecture by Professor Richard Pearson, 4th March 2008, University of Worcester.
Dancing 'Nessun Dorma'.
In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton.
Violetta Undone: Getting Closer to Opera By Not Making Opera.
In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent.
The Birmingham Rep: A City's Theatre 1962-2002.
Sir Barry Jackson Trust, Birmingham.
Twentieth Century British Theatre Industry, Art and Empire.
Cambridge University Press, Cambridge.
Redefining Political Theatre in Post-Cold War Britain (1990-2005): An Anlysis of Contemporary British Political Plays.
PhD thesis, Coventry University in collaboration with the University of Worcester.
An Exploration Through Practice of how the Identity Category of Disability Might be (Re)Constituted During a
Creative Performance Process.
PhD thesis, Coventry University in collaboration with University of Worcester..
Babble - A Site-specific Performance in Second Life for the 121212 UpStage Festival of Cyberformance.