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Sakowska, Aleksandra (2018) Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations. Cahiers Élisabéthains: A Journal of English Renaissance Studies, 96 (1). pp. 59-74. ISSN 0184-7678 Online: 2054-4715
Full text not available from this repository. (Request a copy)Abstract
Monika Pęcikiewicz belongs to a handful of Polish theatre directors who identify themselves as feminists. It is a very important stance as feminism in Poland is considered a left-leaning proclivity, shunned for fear of being considered post-communist, antisocial or anti-Catholic. For Pęcikiewicz, Shakespeare’s texts alone are not enough to realize her artistic vision. She has shifted her attention to the use of new digital technologies, to undermine the narrative, linear quality of Shakespeare’s stories. Ultimately Pęcikiewicz is intent on producing different levels of experience for her spectators with a focus on female experience in particular.
| Item Type: | Article |
|---|---|
| Additional Information: | Staff and students at the University of Worcester can access the full-text via the UW online library search. External users should check availability with their local library or Interlibrary Requests Service. |
| Uncontrolled Discrete Keywords: | adaptation, feminist, intermedial, post-dramatic, identity, politics, Polish theatre, William Shakespeare |
| Subjects: | P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater P Language and Literature > PR English literature |
| Divisions: | College of Arts, Humanities and Education > School of Humanities |
| Related URLs: | |
| Depositing User: | Aleksandra Sakowska |
| Date Deposited: | 01 Mar 2019 10:31 |
| Last Modified: | 17 Jun 2020 17:27 |
| URI: | https://eprints.worc.ac.uk/id/eprint/7571 |
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