Number of items at this level: 45.
B
Bold, Justine
(2018)
The Reproductive Page.
[Performance]
(Unpublished)
Botham, Paola
(2009)
Redefining Political Theatre in Post-Cold War Britain (1990-2005): An Anlysis of Contemporary British Political Plays.
PhD thesis, Coventry University in collaboration with the University of Worcester.
C
Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964
(2017)
Hamlet from the Bloc: 1990 and 2010.
The Annals of Ovidius University Constanța: Philology Series, XXVII (1).
pp. 97-107.
ISSN 1223-7248
Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964
(2016)
Handling Ophelia: a Story in Four Unscripted Scenes.
New Theatre Quarterly, 32 (4).
pp. 307-317.
ISSN Print: 0266-464X Online: 1474-0613
Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964
(2015)
Titus Andronicus by TeatrPolski, and: Titus Andronicus by Hiraeth Artistic Productions.
Shakespeare Bulletin, 33 (1).
pp. 135-141.
ISSN 0748-2558 Online: 1931-1427
Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964
(2017)
What Country, Friends, Is This?
In: Shakespeare's Rome Summer School, 5-10 September 2017, Roma Tre, Italy.
(Unpublished)
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2017)
Birmingham Rep, Youth and Community, and the Products and Possibilities of Precarity.
The Journal of Applied Theatre and Performance (RIDE), 22 (1).
pp. 36-49.
ISSN 1356-9783 Online: 1470-112X
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2003)
The Birmingham Rep: A City's Theatre 1962-2002.
Sir Barry Jackson Trust, Birmingham.
ISBN 0954571908
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2003)
"The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939.
New Theatre Quarterly, 19 (2).
pp. 169-176.
ISSN 0266-463X
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2016)
Facing the Face of the Other: The Case of the Nia Centre.
In:
Theatre History and Historiography Ethics, Evidence and Truth.
Palgrave Macmillan, Basingstoke, UK, pp. 121-146.
ISBN 978-1-137-45727, 1137457279
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2018)
The Haunted Theatre: Birmingham Rep, Shakespeare and European Exchanges.
Cahiers Elisabethains, 96 (1).
pp. 75-88.
ISSN 0184-7678 Online: 2054-4715
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2006)
"A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s.
In:
Alternatives Within the Mainstream British Black and Asian Theatres.
Cambridge Scholars Press, Newcastle, pp. 153-171.
ISBN 1904303668
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2012)
'Patronage and Pragmatism: The Art of Compromise in the English Regional Context'.
In: 'Subsidy, Patronage &Sponsorship: Theatre Performance Culture in Uncertain Times', 19-21 July 2012, Victoria and Albert Museum.
(Unpublished)
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2001)
"The Pervasiveness of the Commonplace": the Historian and Amateur Theatre.
Theatre Research International, 26 (3).
pp. 233-242.
ISSN 0307-8833
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876
(2011)
Twentieth Century British Theatre Industry, Art and Empire.
Cambridge University Press, Cambridge.
ISBN 9780521464888
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J.
(2016)
Introduction.
In:
Theatre History and Historiography Ethics, Evidence and Truth.
Palgrave Macmillan, Basingstoke, UK, pp. 1-29.
ISBN 978-1-137-727-1, 1137457279
Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 and Robinson, J.
(2016)
Theatre History and Historiography Ethics, Evidence and Truth.
Palgrave Macmillan, Basingstoke, UK.
ISBN 978-1-137-727-1, 1137457279
D
Dalmasso, Frederic and Baines, R.
(2010)
Musical Realisations: a Performance-based Translation of Rhythm in Koltès’ Dans la solitude des champs de coton.
In:
Staging Translation: Text and Theatre Practice.
Palgrave Macmillan, pp. 49-71.
ISBN 9780230228191
F
Foulquie, Guillaume
(2018)
Play Review: Richard II.
Cahiers Élisabéthains : A Journal of English Renaissance Studies, 97 (1).
pp. 114-116.
ISSN Print: 0184-7678 Online: 2054-4715
K
Kowalski, Jenny
(1998)
Theatre Review : Edward Bond's In The Company Of Men.
(The Pit 7.12.1996).
Worcester Papers in English and Cultural Studies (2).
p. 1998.
L
Leighton, Francesca
(2005)
An Exploration Through Practice of how the Identity Category of Disability Might be (Re)Constituted During a
Creative Performance Process.
PhD thesis, Coventry University in collaboration with University of Worcester..
P
Pearson, Richard
(2008)
'Dramatic Grub Street' or, The Trouble with Victorian Plays
(Inaugural Lecture by Professor Richard Pearson).
In: Inaugural Lecture by Professor Richard Pearson, 4th March 2008, University of Worcester.
(Unpublished)
Pierce-Jones, Roy
(2006)
"Hosing Off the Heraldry": Critical Reactions to Shakespeare's History Plays at Stratford.
Worcester Papers in English and Cultural Studies (4).
R
Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533
(2014)
Heroism and Adventurism: Can Applied Theatre Practices Give Participants the Experience of Being the Heroes and Heroines of Their Own Stories?
In: TaPRA (Theatre & Performance Research Association) 2014 Annual Conference, 3rd - 5th September 2014, Royal Holloway campus, Egham.
(Unpublished)
Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533
(2012)
Higher Education - Border or Boundary? Can Theatre in Education Help Promote a University Education?
In: 7th International Drama in Education Research Institute, 10th - 15th July 2012, Mary Immaculate College, University of Limerick.
(Unpublished)
Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533
(2015)
The Silent Majority: an Exploration of the Integration of Voting Software within Theatre in Education programmes.
In: Inspiring Curiosity Conference, 21st - 22nd October 2015, Belgrade Theatre, Coventry.
(Unpublished)
Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533
(2011)
Why Bother? Can Theatre in Education Help Promote a University Education?
Worcester Journal of Learning and Teaching (6).
ISSN 2024-8032
Reeves, Alison ORCID: https://orcid.org/0000-0002-4026-8533 and Neilson, S.
(2018)
‘Don’t Talk Like That: It’s Not Just What You Say But How You Say It’: The Process of Developing an Applied Theatre Performance to Teach Undergraduate Nursing Students Communication Skills Around Paediatric End-of-Life Care.
Journal of Applied Arts & Health, 9 (1).
99-111(13).
ISSN 2040-2457 Online: 2040-2465
Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R.
(2016)
No Woman's Land.
[Performance]
Roberts, David
(1997)
Hamlet and the Frailty of Woman.
Worcester Papers in English and Cultural Studies (1).
S
Sakowska, Aleksandra
(2018)
Feminist Shakespeare and Saturation of Experience in Monika Pęcikiewicz’s Intermedial Adaptations.
Cahiers Élisabéthains: A Journal of English Renaissance Studies, 96 (1).
pp. 59-74.
ISSN 0184-7678 Online: 2054-4715
Sokolova, B. and Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964
(2017)
The ‘Cumberbatch’ Hamlet (1):‘The Very Age and Body of the Time His Form and Pressure’.
Cahiers Élisabéthains, 93 (1).
pp. 124-132.
ISSN 0184-7678, Online: 2054-4715
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2018)
Admiring La Stupenda (Portfolio).
UNSPECIFIED.
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2019)
Admiring La Stupenda: Edinburgh version 2019.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2014)
Admiring La Stupenda: Wolverhampton version.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2018)
Admiring La Stupenda: Worcester version 2018.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2019)
Admiring La Stupenda: ‘to camera’ version Worcester 2019.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2016)
Dancing 'Nessun Dorma'.
In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton.
(Unpublished)
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2015)
Pavarotti and Me (Portfolio).
UNSPECIFIED.
(Unpublished)
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2020)
Pavarotti and Me 2020.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2019)
Pavarotti and Me: a performance to camera 2019.
[Performance]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2015)
The Search for the Operatic: Bridging the Gap Between the Spectatorial and Performer Positions Through Sketch-making and Embodiment Techniques.
[Show/Exhibition]
Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884
(2016)
Violetta Undone: Getting Closer to Opera By Not Making Opera.
In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent.
(Unpublished)
Swift, Elizabeth
(2012)
Babble - A Site-specific Performance in Second Life for the 121212 UpStage Festival of Cyberformance.
[Show/Exhibition]
W
Wheeler, Tim ORCID: https://orcid.org/0000-0002-8612-7111
(2018)
Mind the Gap(s).
In:
Opening Doors to the Performing Arts: Difference and Diversity.
Bonavia Offset Printers, Malta, pp. 61-76.
ISBN 978-99957-1-399-7
This list was generated on Sat Oct 12 19:45:48 2024 UTC.