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Film and the repossession of rural space

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Film and the repossession of rural space. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 190-198. ISBN 978-0-7190-9157-5

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Abstract

Patrick Keiller’s film Robinson in Ruins was shot on location in and around the Cherwell Valley in rural Oxfordshire. Keiller offers insights into his filmmaking practice – in particular his technical choices when it came to filming the landscape. He also explains how far the film was prompted by what appeared to him to be a discrepancy between, on one hand, the cultural and critical attention devoted to experience of mobility and displacement and, on the other, a tacit but seemingly widespread tendency to hold on to formulations of dwelling that derive from a more settled, agricultural past.

Item Type: Book Section
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Uncontrolled Discrete Keywords: rural landscapes, British film, British cinema, British countryside, British cinema history, landscape, cinema, film, British, Rural, Representation, Place, Space, folk, Patrick Keiller, Robinson in Ruins
Subjects: N Fine Arts > N Visual arts (General) For photography, see TR
Divisions: Central Services > Directorate
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Depositing User: Paul Newland
Date Deposited: 06 Mar 2020 11:51
Last Modified: 17 Jun 2020 17:35
URI: https://eprints.worc.ac.uk/id/eprint/9240

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