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WRaP is a collection of research papers and university publications. It presents the academic and creative work of the university. You are welcome to look for and obtain items of interest and make contact with the authors and creators.
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Paul Newland
My Latest As Author
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2023)
My Ancestors Died Here: Requiem for a Village and the horror of modernity and socio-cultural change in rural England.
In:
Folk horror on film: Return of the British repressed.
Manchester University Press, Manchester.
ISBN 978-1-5261-6492-6 e-book: 9781526164933
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2023)
What wind in what trees? Listening to Blow-Up (1966).
In:
Haunted Soundtracks :Audiovisual Cultures of Memory, Landscape, and Sound.
New Approaches to Sound, Music, and Media
.
Bloomsbury Publishing, London.
ISBN 9781501389559
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2023)
Book Review: Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist.
Edinburgh University Press.
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2023)
On location in 1970s London: an interview with Gavrik Losey.
In:
Global London on screen : Visitors, cosmopolitans and migratory cinematic visions of a superdiverse city.
Manchester University Press, Manchester, pp. 61-73.
ISBN 978-1-5261-5756-0
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2023)
The architecture of film sound: the construction of sonic space in Michelangelo Antonioni’s The Passenger.
Music, Sound, and the Moving Image, 17 (1).
ISSN Online: 1753-0776 Print: 1753-0768
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2022)
Suburban London in 1970s British Television Comedies.
In: Midwest Popular Culture Association, 14-6 October 2022, DePaul University, Chicago USA.
(Unpublished)
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2022)
The life of the Good Life House: the spatial legacies of ‘site’ in a suburban London situation comedy.
In: TV Londons, 27-28 July 2022, University of Westminster.
(Unpublished)
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2022)
Modern magnificence: memories of British cinema architecture of the late 1920s and 1930s.
In: From Cinema Culture to Cinema Memory, Wed, 6 Apr 2022 – Fri, 8 Apr 2022, Lancaster University.
(Unpublished)
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Cussans, John
ORCID: https://orcid.org/0000-0002-1856-9460, Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965, Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174, Evans, Simon ORCID: https://orcid.org/0000-0002-2919-8167 and Taylor, Simon ORCID: https://orcid.org/0000-0001-6525-9361
(2022)
Arts for Health symposium.
In: The Arts for Health Symposium, 12 January 2022, The Art House, Castle St, Worcester.
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2021)
Park Avenue & East 53rd Street.
[Video]
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2021)
Park Avenue & East 53rd Street.
International Journal of Creative Media Research, 6.
ISSN 2631-6773
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2019)
British Art Cinema: Creativity, Experimentation and Innovation.
Manchester University Press, Manchester.
ISBN 978-1-5261-0087-0
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B.
(2019)
Introduction: British art cinema: creativity, experimentation and innovation.
In:
British Art Cinema: creativity, experimentation and innovation.
Manchester University Press, Manchester, pp. 12-44.
ISBN 978-1-5261-0087-0
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2019)
The reputation of Nicolas Roeg.
In:
British Art Cinema: creativity, experimentation and innovation.
Manchester University Press, Manchester, pp. 128-143.
ISBN 978-1-5261-0087-0
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2019)
Space, Place and Architecture in British Films: The Case of Last Resort (2000).
In:
A Companion to British and Irish Cinema.
Wiley Blackwell Companions to National Cinemas
.
John Wiley & Sons, Hoboken, NJ, pp. 372-385.
ISBN 9781118477519 (Print) 9781118482889 (Online)
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2017)
Shaun of the Dead and the Construction of Cult Space in Millennial London.
In:
London on Film: The City and Social Change.
Screening Spaces
.
Palgrave Macmillan, Cham, Switzerland, pp. 193-203.
ISBN 978-3-319-64978-8 (Print) 978-3-319-64979-5 (Online)
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010).
The New Soundtrack, 6 (2).
pp. 129-142.
ISSN Print: 2042-8855 Online: 2042-8863
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
British Rural Landscapes on Film.
Manchester University Press, Manchester.
ISBN 978-0-7190-9157-5
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Introduction: approaching British rural landscapes on film.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 1-23.
ISBN 978-0-7190-9157-5
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 162-179.
ISBN 978-0-7190-9157-5
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
sleep furiously: interview with Gideon Koppel.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 180-189.
ISBN 978-0-7190-9157-5
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Film and the repossession of rural space.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 190-198.
ISBN 978-0-7190-9157-5
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History.
Journal of British Cinema and Television, 13 (2).
pp. 262-277.
ISSN Print: 1743-4521 Online: 1755-1714
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B.
(2016)
Introduction: Post-millennial British Art Cinema.
Journal of British Cinema and Television, 13 (2).
pp. 233-242.
ISSN Print: 1743-4521 Online: 1755-1714
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2015)
We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades.
Visual Culture in Britain, 16 (3).
pp. 331-347.
ISSN Print: 1471-4787 Online: 1941-8361
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2011)
Blended, Deep and Active Learning.
Aberytswyth University, Aberystwyth.
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2011)
Information Technology and the Muddiest Point - Using Podcasts for Active Learning.
Aberytswyth University, Aberystwyth.
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Newland, Paul
ORCID: https://orcid.org/0000-0002-8090-2965
(2011)
Reframing Assessment.
Aberytswyth University, Aberystwyth.
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