WRaP - Worcester Research and Publications

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My Latest As Author
My Most Viewed As Author

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Biography

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Director of Research and Knowledge Exchange, College of Arts, Humanities and Education

My Latest As Author

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) My Ancestors Died Here: Requiem for a Village and the horror of modernity and socio-cultural change in rural England. In: Folk horror on film: Return of the British repressed. Manchester University Press, Manchester. ISBN 978-1-5261-6492-6 e-book: 9781526164933
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) What wind in what trees? Listening to Blow-Up (1966). In: Haunted Soundtracks :Audiovisual Cultures of Memory, Landscape, and Sound. New Approaches to Sound, Music, and Media . Bloomsbury Publishing, London. ISBN 9781501389559
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) Book Review: Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist. Edinburgh University Press.
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) On location in 1970s London: an interview with Gavrik Losey. In: Global London on screen : Visitors, cosmopolitans and migratory cinematic visions of a superdiverse city. Manchester University Press, Manchester, pp. 61-73. ISBN 978-1-5261-5756-0
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) The architecture of film sound: the construction of sonic space in Michelangelo Antonioni’s The Passenger. Music, Sound, and the Moving Image, 17 (1). ISSN Online: 1753-0776 Print: 1753-0768
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) Suburban London in 1970s British Television Comedies. In: Midwest Popular Culture Association, 14-6 October 2022, DePaul University, Chicago USA. (Unpublished)
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) The life of the Good Life House: the spatial legacies of ‘site’ in a suburban London situation comedy. In: TV Londons, 27-28 July 2022, University of Westminster. (Unpublished)
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) Modern magnificence: memories of British cinema architecture of the late 1920s and 1930s. In: From Cinema Culture to Cinema Memory, Wed, 6 Apr 2022 – Fri, 8 Apr 2022, Lancaster University. (Unpublished)
Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460, Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965, Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174, Evans, Simon ORCID: https://orcid.org/0000-0002-2919-8167 and Taylor, Simon ORCID: https://orcid.org/0000-0001-6525-9361 (2022) Arts for Health symposium. In: The Arts for Health Symposium, 12 January 2022, The Art House, Castle St, Worcester.
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2021) Park Avenue & East 53rd Street. [Video]
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2021) Park Avenue & East 53rd Street. International Journal of Creative Media Research, 6. ISSN 2631-6773
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) British Art Cinema: Creativity, Experimentation and Innovation. Manchester University Press, Manchester. ISBN 978-1-5261-0087-0
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2019) Introduction: British art cinema: creativity, experimentation and innovation. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 12-44. ISBN 978-1-5261-0087-0
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) The reputation of Nicolas Roeg. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 128-143. ISBN 978-1-5261-0087-0
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) Space, Place and Architecture in British Films: The Case of Last Resort (2000). In: A Companion to British and Irish Cinema. Wiley Blackwell Companions to National Cinemas . John Wiley & Sons, Hoboken, NJ, pp. 372-385. ISBN 9781118477519 (Print) 9781118482889 (Online)
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2017) Shaun of the Dead and the Construction of Cult Space in Millennial London. In: London on Film: The City and Social Change. Screening Spaces . Palgrave Macmillan, Cham, Switzerland, pp. 193-203. ISBN 978-3-319-64978-8 (Print) 978-3-319-64979-5 (Online)
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010). The New Soundtrack, 6 (2). pp. 129-142. ISSN Print: 2042-8855 Online: 2042-8863
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) British Rural Landscapes on Film. Manchester University Press, Manchester. ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Introduction: approaching British rural landscapes on film. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 162-179. ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) sleep furiously: interview with Gideon Koppel. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 180-189. ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Film and the repossession of rural space. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 190-198. ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) ‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History. Journal of British Cinema and Television, 13 (2). pp. 262-277. ISSN Print: 1743-4521 Online: 1755-1714
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2016) Introduction: Post-millennial British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 233-242. ISSN Print: 1743-4521 Online: 1755-1714
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2015) We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades. Visual Culture in Britain, 16 (3). pp. 331-347. ISSN Print: 1471-4787 Online: 1941-8361
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Blended, Deep and Active Learning. Aberytswyth University, Aberystwyth.
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Information Technology and the Muddiest Point - Using Podcasts for Active Learning. Aberytswyth University, Aberystwyth.
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Reframing Assessment. Aberytswyth University, Aberystwyth.

My Most Viewed As Author

#	Item title
1.	The life of the Good Life House: the spatial legacies of ‘site’ in a suburban London situation comedy	552
2.	The architecture of film sound: the construction of sonic space in Michelangelo Antonioni’s The Passenger	355	223
3.	Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw	318
4.	Introduction: Post-millennial British Art Cinema	263	301
5.	sleep furiously: interview with Gideon Koppel	232
6.	British Rural Landscapes on Film	224
7.	Introduction: approaching British rural landscapes on film	218
8.	The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010)	210	137
9.	‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History	205	182
10.	Park Avenue & East 53rd Street	190	103
11.	Information Technology and the Muddiest Point - Using Podcasts for Active Learning	187	51
12.	Shaun of the Dead and the Construction of Cult Space in Millennial London	184
13.	Film and the repossession of rural space	172
14.	British Art Cinema: Creativity, Experimentation and Innovation	171
15.	Reframing Assessment	168	35
16.	Space, Place and Architecture in British Films: The Case of Last Resort (2000)	167
17.	Arts for Health symposium	166
18.	The reputation of Nicolas Roeg	161
19.	Blended, Deep and Active Learning	156	37
20.	We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades	147	102
21.	My Ancestors Died Here: Requiem for a Village and the horror of modernity and socio-cultural change in rural England	138	377
22.	Introduction: British art cinema: creativity, experimentation and innovation	134
23.	Park Avenue & East 53rd Street	132
24.	Suburban London in 1970s British Television Comedies	122
25.	On location in 1970s London: an interview with Gavrik Losey	119	26
26.	Book Review: Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist	116
27.	What wind in what trees? Listening to Blow-Up (1966)	110	72
28.	Modern magnificence: memories of British cinema architecture of the late 1920s and 1930s	102

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Paul Newland