| 1. | ‘The Heart Fails Without Warning’: Precarious Bodies in Hilary Mantel’s Short Fiction | 389 | 522 |
| 2. | Little Monsters: Anxiety, Austerity and the Monstrous Child in Doris Lessing’s The Fifth Child | 242 | 230 |
| 3. | Nightmares about Fossils: Spectral Children and Intergenerational Trauma in the Work of Hilary Mantel | 241 | 82 |
| 4. | 'I'm the child that's been buried in leaves': Social Ghosting, Child Spectres and the Possibilities of Play in Ali Smith’s Spring (2019) and Companion Piece (2021) | 239 | 31 |
| 5. | Holy Ghost Writers: Spectrality, Intertextuality and Religion in 'Wolf Hall' and 'Fludd' | 231 | |
| 6. | ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’ | 209 | 51 |
| 7. | Psychoanalysis | 201 | 163 |
| 8. | Spooks and Holy Ghosts: Spectral Politics and the Politics of Spectrality in Hilary Mantel's 'Eight Months on Ghazzah Street' | 198 | 373 |
| 9. | Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’s The Fifth Child | 194 | 2 |
| 10. | Psychoanalysis | 193 | |
| 11. | Reading Hilary Mantel: Haunted Decades | 189 | |
| 12. | 'This is a place for the dead': Reading the Ghost Child in Jesmyn Ward's 'Sing, Unburied, Sing' | 170 | 184 |
| 13. | “Something like praying” (p. 279): Syncretic Spirituality and Racial Justice in Jesmyn Ward’s Sing, Unburied, Sing (2017) | 170 | 1 |
| 14. | “They buried him at Worcester”: Heritage sites, historical fiction and Hilary Mantel’s Wolf Hall | 147 | 59 |
| 15. | Beaches of Bones: Non-Human Hauntings and Legacies of Animal Cruelty in Michelle Paver's 'Dark Matter' | 137 | 130 |
| 16. | Nightmares about Fossils: Spectral Children, Colonial Legacies, and Intergenerational Trauma in the Work of Hilary Mantel | 127 | 6 |