| 1. | ‘The Heart Fails Without Warning’: Precarious Bodies in Hilary Mantel’s Short Fiction | 365 | 500 |
| 2. | Little Monsters: Anxiety, Austerity and the Monstrous Child in Doris Lessing’s The Fifth Child | 232 | 211 |
| 3. | Nightmares about Fossils: Spectral Children and Intergenerational Trauma in the Work of Hilary Mantel | 229 | 71 |
| 4. | Holy Ghost Writers: Spectrality, Intertextuality and Religion in 'Wolf Hall' and 'Fludd' | 221 | |
| 5. | 'I'm the child that's been buried in leaves': Social Ghosting, Child Spectres and the Possibilities of Play in Ali Smith’s Spring (2019) and Companion Piece (2021) | 205 | 31 |
| 6. | ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’ | 199 | 41 |
| 7. | Psychoanalysis | 190 | 151 |
| 8. | Spooks and Holy Ghosts: Spectral Politics and the Politics of Spectrality in Hilary Mantel's 'Eight Months on Ghazzah Street' | 183 | 338 |
| 9. | Psychoanalysis | 180 | |
| 10. | Little Monsters: Austerity, Anxiety, and the Monstrous Child in Doris Lessing’s The Fifth Child | 178 | 2 |
| 11. | Reading Hilary Mantel: Haunted Decades | 173 | |
| 12. | “Something like praying” (p. 279): Syncretic Spirituality and Racial Justice in Jesmyn Ward’s Sing, Unburied, Sing (2017) | 154 | 1 |
| 13. | 'This is a place for the dead': Reading the Ghost Child in Jesmyn Ward's 'Sing, Unburied, Sing' | 148 | 115 |
| 14. | “They buried him at Worcester”: Heritage sites, historical fiction and Hilary Mantel’s Wolf Hall | 132 | 47 |
| 15. | Beaches of Bones: Non-Human Hauntings and Legacies of Animal Cruelty in Michelle Paver's 'Dark Matter' | 121 | 124 |
| 16. | Nightmares about Fossils: Spectral Children, Colonial Legacies, and Intergenerational Trauma in the Work of Hilary Mantel | 112 | 5 |