University of Worcester Worcester Research and Publications

Items where Subject is "M Music and Books on Music > M Music"

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Group by: Creators | Item Type
Number of items at this level: 20.


Davies, Andy ORCID: (2017) Book Review: Champagne and Wax Crayons by Ben Tallon. The Association of Illustrators Blog.

Fisher, James (2015) Encountering the Spectre of Painting. Performance Research: A Journal of the Performing Arts, 20 (2). pp. 112-117. ISSN Print: 1352-8165 Online: 1469-9990

Garabedian, Claire ORCID: (2020) Dementia: When music is the Only Way In – An Emergency Intervention: Innovative Practice. Dementia, 19 (8). pp. 2876-2880. ISSN Print: 1471-3012, Online: 1741-2684

Garabedian, Claire and Kelly, F. Haven: Sharing Receptive Music Listening to Foster Connections and Wellbeing for People with Dementia Who Are Nearing the End of Life, and Those Who Care For Them. Dementia: The International Journal of Social Research and Practice, 19 (5). pp. 1657-1671. ISSN 1417-3012 Online: 1741-2684

Parham, John (2019) Stretching and Bending the Frame – Green Possibilities in Popular Romantic Narratives. Green Letters: Studies in Ecocriticism, 22 (3). pp. 301-312. ISSN 2168-1414

Book Section

Somerville, Daniel ORCID: (2020) Back to The Artwork of the Future: Transformation, Emotion and Participation in the Opera-Related Works of Joshua Sofaer. In: Joshua Sofaer: Performance, Objects, Participation. Intellect Live . Live Art Development Agency, Intellect Books, Bristol. ISBN 9781789380910

Somerville, Daniel ORCID: (2016) ‘The Emergence of the Operatic’. In: Music on Stage. Volume 2. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 25-39. ISBN 978-1-4438-9686-3; 1-4438-9686-1

Conference or Workshop Item

Dalmasso, Frederic and Baines, R. (2013) Looking for Koltès - Practice-based Translation, Rhythm and Politics. In: Drama Translation in the Age of Globalisation: Paradoxes and Paradigms, 6th March 2013, The University of Salford. (Unpublished)

Gubb, Mark ORCID: (2018) God So Loves Decay. In: Curating Resistance: Punk as Archival Methos, Feb 9-10, 2018, UCLA, Los Angeles, USA. (Unpublished)

Gubb, Mark ORCID: and Cardwell, T. (2019) Hiraeth. In: Punk Scholars Network 6th Annual Conference and Postgraduate Symposium, 16-17 December 2019, Newcastle University. (Unpublished)

Hewston, Ruth and Cadwallader, S. (2007) Music Mentoring in Action. In: The Fifth International Research in Music Education Conference, 10th - 14th April 2007, University of Exeter.

Oestreicher, Klaus and Kuzma, Joanne (2009) The Music Industry & Its Consumers: A Potential Divorce through Technology and Shifting Market Linkages? In: EBES 2009 Conference, Istanbul, Turkey, 01-02 June 2009, Kadir Has University Istanbul.

Somerville, Daniel ORCID: (2016) Dancing 'Nessun Dorma'. In: The Fourteenth Triennial Conference of the British Comparative Literature Association: ‘Salvage’, 12th - 15th July 2016, University of Wolverhampton. (Unpublished)

Somerville, Daniel ORCID: (2016) Violetta Undone: Getting Closer to Opera By Not Making Opera. In: Music on Stage Conference, 22nd - 23rd October 2016, Rose Bruford College, Sidcup, Kent. (Unpublished)

Somerville, Daniel ORCID: and McFadden, Becka (2021) Příhody lišky Bystroušky (The Cunning Little Vixen) Ecopolitics and Nationalism. In: IFTR Galway (online), 12th to 16th July 2021, Galway (online). (Unpublished)


Gubb, Mark ORCID: (2020) Even in Exile. [Artefact]

Gubb, Mark ORCID: (2016) Ganas de Vivir. [Artefact]

Gubb, Mark ORCID: (2018) Wassail. [Artefact]


Somerville, Daniel ORCID: (2015) The Search for the Operatic: Bridging the Gap Between the Spectatorial and Performer Positions Through Sketch-making and Embodiment Techniques. [Show/Exhibition]


Bradburn, John (2018) A Line Between The Heavens and The Earth. [Performance]

This list was generated on Sat May 25 09:55:30 2024 UTC.
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