Cinpoes, Nicoleta ORCID: https://orcid.org/0000-0002-2035-9964 (2018) From New to Neo-Europe: Titus Redivivus. Cahiers Élisabéthains: A Biannual Journal of English Renaissance Studies, 96 (1). pp. 214-230. ISSN 0184-7678 Online: 2054-4715
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Abstract
The ‘dramatic rise’ of Titus Andronicus ‘among critics and directors’ in the 1990s was primarily linked to ‘the growth of feminist Shakespeare criticism’.1 Its recent stage popularity, however, lies in its responses to the new geopolitical realities and the shifting physical and mental borders of the European Union. This article examines four European productions of Titus Andronicus in their engagement with political change, migration, rising nationalism and xenophobia, which, I argue, refocus attention onto this play’s position in the Shakespeare canon.
Item Type: | Article |
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Additional Information: | Staff and students at the University of Worcester can access the full-text via the UW online library search. External users should check availability with their local library or Interlibrary Requests Service |
Uncontrolled Discrete Keywords: | Titus Andronicus, Silviu Purcarete, Jan Klata, Zoe Ford, Blanche McIntryne, EU, Brexit |
Subjects: | P Language and Literature > PR English literature |
Divisions: | College of Arts, Humanities and Education > School of Humanities |
Related URLs: | |
Depositing User: | Nicoleta Cinpoes |
Date Deposited: | 30 May 2018 12:45 |
Last Modified: | 24 Sep 2024 04:00 |
URI: | https://eprints.worc.ac.uk/id/eprint/6668 |
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