University of Worcester Worcester Research and Publications
 
  USER PANEL:
  ABOUT THE COLLECTION:
  CONTACT DETAILS:

Browse by Author

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Item Type | No Grouping
Number of items: 29.

Article

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) Book Review: Amelia Watts and Phil Wickham (eds), Bill Douglas: A Film Artist. Journal of British Cinema and Television, 20 (4). pp. 527-530. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) The architecture of film sound: the construction of sonic space in Michelangelo Antonioni’s The Passenger. Music, Sound, and the Moving Image, 17 (1). ISSN Online: 1753-0776 Print: 1753-0768

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2021) Park Avenue & East 53rd Street. International Journal of Creative Media Research, 6. ISSN 2631-6773

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010). The New Soundtrack, 6 (2). pp. 129-142. ISSN Print: 2042-8855 Online: 2042-8863

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) ‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History. Journal of British Cinema and Television, 13 (2). pp. 262-277. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2016) Introduction: Post-millennial British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 233-242. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2015) We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades. Visual Culture in Britain, 16 (3). pp. 331-347. ISSN Print: 1471-4787 Online: 1941-8361

Book Section

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) My Ancestors Died Here: Requiem for a Village and the horror of modernity and socio-cultural change in rural England. In: Folk horror on film: Return of the British repressed. Manchester University Press, Manchester. ISBN 978-1-5261-6492-6 e-book: 9781526164933

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) What wind in what trees? Listening to Blow-Up (1966). In: Haunted Soundtracks :Audiovisual Cultures of Memory, Landscape, and Sound. New Approaches to Sound, Music, and Media . Bloomsbury Publishing, London. ISBN 9781501389559

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2023) On location in 1970s London: an interview with Gavrik Losey. In: Global London on screen : Visitors, cosmopolitans and migratory cinematic visions of a superdiverse city. Manchester University Press, Manchester, pp. 61-73. ISBN 978-1-5261-5756-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2019) Introduction: British art cinema: creativity, experimentation and innovation. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 12-44. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) The reputation of Nicolas Roeg. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 128-143. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) Space, Place and Architecture in British Films: The Case of Last Resort (2000). In: A Companion to British and Irish Cinema. Wiley Blackwell Companions to National Cinemas . John Wiley & Sons, Hoboken, NJ, pp. 372-385. ISBN 9781118477519 (Print) 9781118482889 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2017) Shaun of the Dead and the Construction of Cult Space in Millennial London. In: London on Film: The City and Social Change. Screening Spaces . Palgrave Macmillan, Cham, Switzerland, pp. 193-203. ISBN 978-3-319-64978-8 (Print) 978-3-319-64979-5 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Film and the repossession of rural space. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 190-198. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 162-179. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Introduction: approaching British rural landscapes on film. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) sleep furiously: interview with Gideon Koppel. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 180-189. ISBN 978-0-7190-9157-5

Conference or Workshop Item

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) Suburban London in 1970s British Television Comedies. In: Midwest Popular Culture Association, 14-6 October 2022, DePaul University, Chicago USA. (Unpublished)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) The life of the Good Life House: the spatial legacies of ‘site’ in a suburban London situation comedy. In: TV Londons, 27-28 July 2022, University of Westminster. (Unpublished)

Newland, Paul (2022) Homesteading in the Anthropocene: future visions of rural landscapes and home in Interstellar and US sci-fi films of the 2010s. In: Screen conference, 1-3 July 2022, Online. (Unpublished)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2022) Modern magnificence: memories of British cinema architecture of the late 1920s and 1930s. In: From Cinema Culture to Cinema Memory, Wed, 6 Apr 2022 – Fri, 8 Apr 2022, Lancaster University. (Unpublished)

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460, Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965, Golz, Paul ORCID: https://orcid.org/0000-0002-8179-3174, Evans, Simon ORCID: https://orcid.org/0000-0002-2919-8167 and Taylor, Simon ORCID: https://orcid.org/0000-0001-6525-9361 (2022) Arts for Health symposium. In: The Arts for Health Symposium, 12 January 2022, The Art House, Castle St, Worcester.

Book

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) British Art Cinema: Creativity, Experimentation and Innovation. Manchester University Press, Manchester. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) British Rural Landscapes on Film. Manchester University Press, Manchester. ISBN 978-0-7190-9157-5

Video

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2021) Park Avenue & East 53rd Street. [Video]

Other

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Blended, Deep and Active Learning. Aberytswyth University, Aberystwyth.

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Information Technology and the Muddiest Point - Using Podcasts for Active Learning. Aberytswyth University, Aberystwyth.

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Reframing Assessment. Aberytswyth University, Aberystwyth.

This list was generated on Thu Jun 13 19:33:13 2024 UTC.
 
     
Worcester Research and Publications is powered by EPrints 3 which is developed by the School of Electronics and Computer Science at the University of Southampton. More information and software credits.