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Number of items: 17.

Article

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010). The New Soundtrack, 6 (2). pp. 129-142. ISSN Print: 2042-8855 Online: 2042-8863

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) ‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History. Journal of British Cinema and Television, 13 (2). pp. 262-277. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2016) Introduction: Post-millennial British Art Cinema. Journal of British Cinema and Television, 13 (2). pp. 233-242. ISSN Print: 1743-4521 Online: 1755-1714

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2015) We come, our country's rights to save: English rural landscape and leftist aesthetics in Comrades. Visual Culture in Britain, 16 (3). pp. 331-347. ISSN Print: 1471-4787 Online: 1941-8361

Book Section

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B. (2019) Introduction: British art cinema: creativity, experimentation and innovation. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 12-44. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) The reputation of Nicolas Roeg. In: British Art Cinema: creativity, experimentation and innovation. Manchester University Press, Manchester, pp. 128-143. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) Space, Place and Architecture in British Films: The Case of Last Resort (2000). In: A Companion to British and Irish Cinema. Wiley Blackwell Companions to National Cinemas . John Wiley & Sons, Hoboken, NJ, pp. 372-385. ISBN 9781118477519 (Print) 9781118482889 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2017) Shaun of the Dead and the Construction of Cult Space in Millennial London. In: London on Film: The City and Social Change. Screening Spaces . Palgrave Macmillan, Cham, Switzerland, pp. 193-203. ISBN 978-3-319-64978-8 (Print) 978-3-319-64979-5 (Online)

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Film and the repossession of rural space. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 190-198. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 162-179. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) Introduction: approaching British rural landscapes on film. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 1-23. ISBN 978-0-7190-9157-5

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) sleep furiously: interview with Gideon Koppel. In: British Rural Landscapes on Film. Manchester University Press, Manchester, pp. 180-189. ISBN 978-0-7190-9157-5

Book

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2019) British Art Cinema: Creativity, Experimentation and Innovation. Manchester University Press, Manchester. ISBN 978-1-5261-0087-0

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2016) British Rural Landscapes on Film. Manchester University Press, Manchester. ISBN 978-0-7190-9157-5

Other

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Blended, Deep and Active Learning. Aberytswyth University, Aberystwyth.

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Information Technology and the Muddiest Point - Using Podcasts for Active Learning. Aberytswyth University, Aberystwyth.

Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 (2011) Reframing Assessment. Aberytswyth University, Aberystwyth.

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