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Mikel Koven

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Biography
My Latest As Author
My Most Viewed As Author

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Contact

Biography

Expertise:

Folklore & Film, Horror Cinema, Exploitation Cinema, Italian exploitation cinema, Jewish film, Legend & film, Asian Cinema

Job title:

Senior Lecturer & Course Leader, Film Studies

My Latest As Author

Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2023) Folk Horror: a discursive approach, with application to Robin Hardy’s The Wicker Man and Neil Jordan’s The Company of Wolves. In: Folk Horror on Film: Return of the British Repressed. Manchester University Press, Manchester. ISBN 978-1-5261-6492-6
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2023) The Canadian Giallo, or how the Italian Thriller Influenced the Canadian Slasher Film. In: Bloodstained narratives : the giallo film in Italy and abroad. University Press of Mississippi, Jackson, MI. ISBN 9781496844460,
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2022) Werewolves, Folklore and Cinema. Second Sight.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2022) Schrodinger’s Harlem: How Across 110th Street both is, and is not, a Blaxploitation Film. Imprint Video, Australia.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2022) Walpurgisnacht: Folklore & Popular Culture. In: Perspectives on Contemporary Legend, 11-15 July, 2022, Canadian Museum of History, Gatineau PQ. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2022) Folk Horror & the Undead. In: The Undead in the 21st Century. Peter Lang, Bern, pp. 19-26. ISBN 9781789977295
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2021) La influencia del Giallo italiano en las películas slasher producidas en Canadá a inicios de la década de 1980: Phobia y Visiting Hours. In: Crimen y Fantástico. Cinestesia, Alicante, pp. 127-139. ISBN 978-84-120496-8-8
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2021) Walpurgisnacht: Folklore & Popular Culture. In: Miskatonic University of Horror Studies (Los Angeles), 29 April 2021, Los Angeles. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2020) The Canadian Giallo, or how the Italian thriller influenced the Canadian slasher film. In: Fantaelx: Congreso internacional de genero fantástico, audiovisuales y nuevas tecnologías., 12 November 2020, Universidad Miguel Hernández de Elche, Elche, Spain.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2020) Narratives of Resistance in Folk Horror. Fantasia International Film Festival, Montreal PQ. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2020) The Italian Gothic. In: Gothic Film : An Edinburgh Companion. Edinburgh Companions to the Gothic . Edinburgh University Press, Edinburgh, pp. 155-169. ISBN 978 1 4744 4744 4804 8
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2020) Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film. In: Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film, 12 March, 2020, Miskatonic Institute of Horror Studies (London). (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2020) Mythic Cinema and the Contemporary Biblical Epic. In: The Bible Onscreen in the New Millenium: New Heart and New Spirit. Manchester University Press . Manchester Univeresity Press, Manchester, pp. 87-101. ISBN 978-1-5261-3657-2
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2019) The Canadian Giallo, or how Italian horror movies influenced the Canadian slasher film. In: Fractured Vision Film Festival, 25-27 October 2019, Chapters Arts Centre, Cardiff. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2019) Return of the Living Slave: Jordan Peele’s Get Out as Zombie Film. In: Folklore On Screen, 13-14 September 2019, Centre for Contemporary Legend, Sheffield Hallam University. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2019) Las variaciones Gastaldi: el juego del productor y el giallo isterico. The Variations Gastaldi: The Game of the Producer and the Isthic Giallo. In: Giallo: crimen, sexualidad y estilo en el cine de género italiano. Editorial Rutemberg, Buenos Aires, pp. 75-88.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2019) The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth. In: The Rhetoric of Veracity. McFarland & Co, Jefferson, NC. (Submitted)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2019) Fascism on a Thread: The Strange Story of Nazisploitation Cinema. [Video]
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) “The Emperor’s New Lore, or Who Believes in the Big Bad Slender Man?”. In: Slender Man is Coming: Creepypasta and Contemporary Legends on the Internet. University of Colorado Press, Boulder, CO, pp. 113-127. ISBN 978-1607327806
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Häxan, and the birth of Folk Horror. In: Perspectives in Contemporary Legend, 5-9 June, 2018, Institut des Hautes Études de Communications Sociales (IHECS), Brussels, Belgium. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Italian Horror Cinema (Book Review). Intellect.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Nightmares: Anatomy of an Urban Legend Film. 101 Films.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Television Drama (Fairy Tales and American TV Drama). In: The Routledge Companion to Fairy-Tale Cultures and Media. Routledge media and cultural studies companions . Routledge, London, pp. 625-633. ISBN 9780367580735
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Jet Set Giallo. Arrow Video.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) The Last Supper: The Final Days of the Italian Cannibal Film. [Video]
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2018) Brain Food: Analysing Late Day Fulci. [Video]
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2017) Paul Wegener’s Das Golem (1920) as Folk Horror. In: Lecture Series, 28-30 November 2017, Charles University, Prague. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2017) Mythic Cinema and the Contemporary Biblical Epic. In: Lecture Series, 28-30 November 2017, Charles University, Prague. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2017) The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth. In: Lecture Series, 28-30 November 2017, Charles University, Prague. (Unpublished)
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2017) The Poetry of the Gross-Out: Argento's Phenomena. Arrow Video.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2016) Sergio Martino: Master of the Filone. In: International Horror Film Directors: Global Fear. Intellect Books, Bristol, pp. 131-147. ISBN Paperback 978-1783206537
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2016) Deep Red: The Quintessential Giallo. Arrow Films, Shenley.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2016) Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema. In: Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation. University of Edinburgh Press, Edinburgh, pp. 125-144. ISBN Hardback 9780748695454
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2016) Audio Commentary on 'The Hills Have Eyes'. Arrow Films.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2015) 9 Lives of the Black Cat. Arrow Films, Shenley.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2015) Tradition and the International Zombie Film: The Movies. In: Putting the Supernatural in its Place: Folklore, the Hypermodern and the Ethereal. Utah State University Press, Salt Lake City, pp. 90-125. ISBN 978-1-60781-449-8 eBook 978-1-60781-450-4
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2015) Blaxploitation! A Video Essay. [Video]
Waddell, C. and Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2014) All About the Girl: Remembering the Girl Who Knew Too Much. Arrow Films, Shenley.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2014) The Giallo and the Spaghetti Nightmare Film. In: The Italian Cinema Book. British Film Institute, London, pp. 203-210. ISBN Paperback 978-1844574049
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2013) Cinema e Identità Culturale. In: I Film Studies. Advanced Studies . Carocci, Rome, pp. 199-206. ISBN Paperback 9788843069026
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2013) Interview with Herschell Gordon Lewis (Abertoir Horror Festival, Aberystwyth, UK: 8 November 2009). One+One: Filmmakers' Journal, 12 (1). pp. 13-20.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2012) ‘I’m a Fairy? How Fucking Lame!’: True Blood as Fairytale. In: True Blood: Investigating Vampires and Southern Gothic. Investigating Cult TV Series . I.B.Tauris & Co Ltd, London, pp. 59-73. ISBN Paperback 978-1848859401
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Thorgeirsdottir, G. (2011) Televisual Folklore: Rescuing Supernatural from the Fakelore Realm. In: TV Goes to Hell: An Unofficial Road Map of Supernatural. ECW Press, Toronto, Canada, pp. 187-200. ISBN Paperback 978-1770410206
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2010) Blaxploitation Films. Kamera Books, Harpenden.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2010) The Jewish Giallo, or What's a Nice Jewish Motif Like You Doing in a Movie Like This? In: Cultural Representations of Jewishness at the Turn of the 21st Century. EUI Working Papers, Florence, pp. 135-146.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2010) The X-Files. In: The Essential Cult TV Reader. Essential readers in contemporary media . University Press of Kentucky, Lexington, Ky, pp. 337-344. ISBN 9780813125688
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2008) Film, Folklore and Urban Legends. Scarecrow Press, Lanham, MD.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2008) Coding with Jewish Cultural Studies and Jewish-American Cinema. Jewish Cultural Studies, 1. pp. 291-310. ISSN 978-1-904113-45-4
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2008) The Folklore of the Zombie Film. In: Zombie Culture: Autopsies of the Living Dead. Scarecrow Press, Lanham, MD, pp. 19-34. ISBN 0810860430
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) Most Haunted and the Convergence of Traditional Belief and Popular Television. Folklore, 118 (2). pp. 183-202. ISSN 0015-587X
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Shermon, Sharon (2007) Folklore/Cinema: Popular Film as Vernacular Entertainment. Utah State University Press, Logan, UT. ISBN 978-0-87421-673-8
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) Cool Jewz: Contemporary Jewish Identity in Popular Culture. Shofar: An Interdisciplinary Journal of Jewish Studies, 25 (4). ISSN Print:0882-8539 Online: 1534-5165
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) The Folklore Fallacy: A Folkloristic/Filmic Perspective on The Wicker Man. Fabula, 48 (3-4). pp. 270-280. ISSN Print: 0014-6242 Online: 1613-0464
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) Adapting Legends: Urban Legends and their Adaptation in Horror Cinema. In: Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester University Press, Manchester, pp. 157-171. ISBN 9780719076039
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) The Folklore Files: In(corp)orating Legends in The X-Files. In: The X-Files and Literature: Unweaving the Story, Unraveling the Lie to Find the Truth. Cambridge Scholars Press, Newcastle upon Tyne, pp. 91-104. ISBN 1-84718-239-9
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2007) Buttgereit's Poetics: Schramm as Cinema of Poetry. In: Caligari's Heirs: The German Cinema of Fear after 1945. Scarecrow Press, Lanham, MD, pp. 185-197. ISBN 0810858789
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2006) La Dolce Morte: Vernacular Cinema and the Italian Giallo Film. Scarecrow Press, Lanham, MD. ISBN 0-8108-5870-3
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Sherman, S. (2005) Folklore & Film. Western Folklore, 64 (3-4).
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2004) Superstition & Pseudoscience: The Ambivalence of Belief in the Giallo Film. Midwestern Folklore, 30 (2). pp. 21-29. ISSN 0894-4059.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2004) Twee Koffers Vol/Left Luggage. In: The Cinema of the Low Countries. Wallflower Press, London, pp. 230-237. ISBN 1904764002
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2004) 'The Film you are about to see is Based on Documented Fact': Italian Nazi Sexploitation Cinema. In: Alternative Europe: Eurotrash and Exploitation Cinema from 1945. Wallflower Press, London, pp. 19-31. ISBN 903364930
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2003) La Dolce Morta: Space, Modernity and the Giallo. Kinoeye, 3 (12). ISSN Online 1475-2441
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2003) The Terror Tale: Urban Legends and the Slasher Film. Scope: An Online Journal of Film Studies.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2003) Folklore Studies and Popular Film & Television: A Necessary Critical Survey. Journal of American Folklore, 116 (460). pp. 176-195. ISSN 00218715
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2002) Filming Legends: A Revised Typology. Contemporary Legend, New Se. pp. 114-135. ISSN 0963-8334
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2001) ‘"Buzz Off!": The Killer Bee Movie as Modern Belief Narrative.’. Contemporary Legend, New Se. pp. 1-19. ISSN 0963-8334
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (2000) Have I Got a Monster for You!: Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie. Folklore, 111 (2). pp. 217-230. ISSN 0015-587X
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (1999) Feminist Folkloristics and Women's Cinema: Towards a Methodology. Literature Film Quarterly, 27 (4). pp. 292-300.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (1999) Candyman Can: Film & Ostentation. Contemporary Legend New Series, 2. pp. 155-173. ISSN 0963-8334
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (1999) "You Don't Have to be Filmish": The Toronto Jewish Film Festival. Ethnologies, 21 (1). pp. 115-132. ISSN Print 1481-5974 Online 1708-0401
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 (1997) Voices from the Periphery: Videodrome and the (pre)Postmodern Vision of Marshall McLuhan. Postscript : A Journal of Graduate School Criticism and Theory, 4 (4). pp. 25-37.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 In Defense of Watch Me When I Kill. 88Films, Lutterworth.
Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan. [Video]

My Most Viewed As Author

#	Item title
1.	Voices from the Periphery: Videodrome and the (pre)Postmodern Vision of Marshall McLuhan.	649	1734
2.	Blaxploitation Films	629
3.	The Folklore Fallacy: A Folkloristic/Filmic Perspective on The Wicker Man	485
4.	‘"Buzz Off!": The Killer Bee Movie as Modern Belief Narrative.’	416	489
5.	Film, Folklore and Urban Legends	399
6.	La Dolce Morte: Vernacular Cinema and the Italian Giallo Film	392
7.	Most Haunted and the Convergence of Traditional Belief and Popular Television.	311	1
8.	The Folklore of the Zombie Film	291
9.	The Terror Tale: Urban Legends and the Slasher Film	271
10.	Feminist Folkloristics and Women's Cinema: Towards a Methodology.	248
11.	'The Film you are about to see is Based on Documented Fact': Italian Nazi Sexploitation Cinema	246	750
12.	The Giallo and the Spaghetti Nightmare Film	203	2
13.	Superstition & Pseudoscience: The Ambivalence of Belief in the Giallo Film	195
14.	Candyman Can: Film & Ostentation	190	641
15.	The Folklore Files: In(corp)orating Legends in The X-Files	186
16.	Deep Red: The Quintessential Giallo	181
17.	‘I’m a Fairy? How Fucking Lame!’: True Blood as Fairytale	180	4
18.	9 Lives of the Black Cat	170
19.	Adapting Legends: Urban Legends and their Adaptation in Horror Cinema	170
20.	Filming Legends: A Revised Typology	167
21.	Coding with Jewish Cultural Studies and Jewish-American Cinema	163
22.	Folklore & Film	159
23.	Folklore/Cinema: Popular Film as Vernacular Entertainment	159
24.	Have I Got a Monster for You!: Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie	158
25.	The Jewish Giallo, or What's a Nice Jewish Motif Like You Doing in a Movie Like This?	154	7
26.	Cool Jewz: Contemporary Jewish Identity in Popular Culture	151
27.	The X-Files	148
28.	Folklore Studies and Popular Film & Television: A Necessary Critical Survey	148
29.	Twee Koffers Vol/Left Luggage	139
30.	Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema	135	3
31.	Sergio Martino: Master of the Filone	133	8
32.	"You Don't Have to be Filmish": The Toronto Jewish Film Festival	133	5
33.	Televisual Folklore: Rescuing Supernatural from the Fakelore Realm	131
34.	La Dolce Morta: Space, Modernity and the Giallo	129
35.	Buttgereit's Poetics: Schramm as Cinema of Poetry	122
36.	Tradition and the International Zombie Film: The Movies	114	4
37.	Blaxploitation! A Video Essay	113
38.	Interview with Herschell Gordon Lewis (Abertoir Horror Festival, Aberystwyth, UK: 8 November 2009)	110	3
39.	All About the Girl: Remembering the Girl Who Knew Too Much	100
40.	Cinema e Identità Culturale	85	2
41.	Las variaciones Gastaldi: el juego del productor y el giallo isterico. The Variations Gastaldi: The Game of the Producer and the Isthic Giallo	83	1
42.	“The Emperor’s New Lore, or Who Believes in the Big Bad Slender Man?”	72	3
43.	Folk Horror: a discursive approach, with application to Robin Hardy’s The Wicker Man and Neil Jordan’s The Company of Wolves	71	1
44.	Italian Horror Cinema (Book Review)	67
45.	The Italian Gothic	55	24
46.	The Canadian Giallo, or how the Italian Thriller Influenced the Canadian Slasher Film	54	1
47.	Fascism on a Thread: The Strange Story of Nazisploitation Cinema	54
48.	Folk Horror & the Undead	51	1
49.	The Canadian Giallo, or how the Italian thriller influenced the Canadian slasher film	50
50.	Mythic Cinema and the Contemporary Biblical Epic	46	64
51.	The Last Supper: The Final Days of the Italian Cannibal Film	46
52.	The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth	41
53.	Walpurgisnacht: Folklore & Popular Culture	40
54.	Werewolves, Folklore and Cinema	40
55.	Television Drama (Fairy Tales and American TV Drama)	39
56.	The Canadian Giallo, or how Italian horror movies influenced the Canadian slasher film	38
57.	Walpurgisnacht: Folklore & Popular Culture	38
58.	Jet Set Giallo	37
59.	Häxan, and the birth of Folk Horror	36
60.	The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth	36
61.	Schrodinger’s Harlem: How Across 110th Street both is, and is not, a Blaxploitation Film	36
62.	Return of the Living Slave: Jordan Peele’s Get Out as Zombie Film	35
63.	Audio Commentary on 'The Hills Have Eyes'	35
64.	Paul Wegener’s Das Golem (1920) as Folk Horror	33
65.	Nightmares: Anatomy of an Urban Legend Film	33
66.	All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan	31
67.	Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film	30
68.	Brain Food: Analysing Late Day Fulci	27
69.	La influencia del Giallo italiano en las películas slasher producidas en Canadá a inicios de la década de 1980: Phobia y Visiting Hours	27
70.	The Poetry of the Gross-Out: Argento's Phenomena	26
71.	In Defense of Watch Me When I Kill	26
72.	Narratives of Resistance in Folk Horror	25
73.	Mythic Cinema and the Contemporary Biblical Epic	23

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