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WRaP is a collection of research papers and university publications. It presents the academic and creative work of the university. You are welcome to look for and obtain items of interest and make contact with the authors and creators.
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Mikel Koven
My Latest As Author
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2023)
Folk Horror: a discursive approach, with application to Robin Hardy’s The Wicker Man and Neil Jordan’s The Company of Wolves.
In:
Folk Horror on Film: Return of the British Repressed.
Manchester University Press, Manchester.
ISBN 978-1-5261-6492-6
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2023)
The Canadian Giallo, or how the Italian Thriller Influenced the Canadian Slasher Film.
In:
Bloodstained narratives : the giallo film in Italy and abroad.
University Press of Mississippi, Jackson, MI.
ISBN 9781496844460,
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2022)
Werewolves, Folklore and Cinema.
Second Sight.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2022)
Schrodinger’s Harlem: How Across 110th Street both is, and is not, a Blaxploitation Film.
Imprint Video, Australia.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2022)
Walpurgisnacht: Folklore & Popular Culture.
In: Perspectives on Contemporary Legend, 11-15 July, 2022, Canadian Museum of History, Gatineau PQ.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2022)
Folk Horror & the Undead.
In:
The Undead in the 21st Century.
Peter Lang, Bern, pp. 19-26.
ISBN 9781789977295
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2021)
La influencia del Giallo italiano en las películas slasher producidas en Canadá a inicios de la década de 1980: Phobia y Visiting Hours.
In:
Crimen y Fantástico.
Cinestesia, Alicante, pp. 127-139.
ISBN 978-84-120496-8-8
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2021)
Walpurgisnacht: Folklore & Popular Culture.
In: Miskatonic University of Horror Studies (Los Angeles), 29 April 2021, Los Angeles.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2020)
The Canadian Giallo, or how the Italian thriller influenced the Canadian slasher film.
In: Fantaelx: Congreso internacional de genero fantástico, audiovisuales y nuevas tecnologías., 12 November 2020, Universidad Miguel Hernández de Elche, Elche, Spain.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2020)
Narratives of Resistance in Folk Horror.
Fantasia International Film Festival, Montreal PQ.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2020)
The Italian Gothic.
In:
Gothic Film : An Edinburgh Companion.
Edinburgh Companions to the Gothic
.
Edinburgh University Press, Edinburgh, pp. 155-169.
ISBN 978 1 4744 4744 4804 8
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2020)
Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film.
In: Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film, 12 March, 2020, Miskatonic Institute of Horror Studies (London).
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2020)
Mythic Cinema and the Contemporary Biblical Epic.
In:
The Bible Onscreen in the New Millenium: New Heart and New Spirit.
Manchester University Press
.
Manchester Univeresity Press, Manchester, pp. 87-101.
ISBN 978-1-5261-3657-2
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2019)
The Canadian Giallo, or how Italian horror movies influenced the Canadian slasher film.
In: Fractured Vision Film Festival, 25-27 October 2019, Chapters Arts Centre, Cardiff.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2019)
Return of the Living Slave: Jordan Peele’s Get Out as Zombie Film.
In: Folklore On Screen, 13-14 September 2019, Centre for Contemporary Legend, Sheffield Hallam University.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2019)
Las variaciones Gastaldi: el juego del productor y el giallo isterico.
The Variations Gastaldi: The Game of the Producer and the Isthic Giallo.
In:
Giallo: crimen, sexualidad y estilo en el cine de género italiano.
Editorial Rutemberg, Buenos Aires, pp. 75-88.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2019)
The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth.
In:
The Rhetoric of Veracity.
McFarland & Co, Jefferson, NC.
(Submitted)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2019)
Fascism on a Thread: The Strange Story of Nazisploitation Cinema.
[Video]
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
“The Emperor’s New Lore, or Who Believes in the Big Bad Slender Man?”.
In:
Slender Man is Coming: Creepypasta and Contemporary Legends on the Internet.
University of Colorado Press, Boulder, CO, pp. 113-127.
ISBN 978-1607327806
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Häxan, and the birth of Folk Horror.
In: Perspectives in Contemporary Legend, 5-9 June, 2018, Institut des Hautes Études de Communications Sociales (IHECS), Brussels, Belgium.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Italian Horror Cinema (Book Review).
Journal of Italian Cinema and Media Studies, 6 (1).
137-152 (16).
ISSN Print: 2047-7368 Online:2047-7376
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Nightmares: Anatomy of an Urban Legend Film.
101 Films.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Television Drama (Fairy Tales and American TV Drama).
In:
The Routledge Companion to Fairy-Tale Cultures and Media.
Routledge media and cultural studies companions
.
Routledge, London, pp. 625-633.
ISBN 9780367580735
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Jet Set Giallo.
Arrow Video.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
The Last Supper: The Final Days of the Italian Cannibal Film.
[Video]
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2018)
Brain Food: Analysing Late Day Fulci.
[Video]
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2017)
Paul Wegener’s Das Golem (1920) as Folk Horror.
In: Lecture Series, 28-30 November 2017, Charles University, Prague.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2017)
Mythic Cinema and the Contemporary Biblical Epic.
In: Lecture Series, 28-30 November 2017, Charles University, Prague.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2017)
The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth.
In: Lecture Series, 28-30 November 2017, Charles University, Prague.
(Unpublished)
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2017)
The Poetry of the Gross-Out: Argento's Phenomena.
Arrow Video.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2016)
Sergio Martino: Master of the Filone.
In:
International Horror Film Directors: Global Fear.
Intellect Books, Bristol, pp. 131-147.
ISBN Paperback 978-1783206537
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2016)
Deep Red: The Quintessential Giallo.
Arrow Films, Shenley.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2016)
Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema.
In:
Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation.
University of Edinburgh Press, Edinburgh, pp. 125-144.
ISBN Hardback 9780748695454
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2016)
Audio Commentary on 'The Hills Have Eyes'.
Arrow Films.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2015)
9 Lives of the Black Cat.
Arrow Films, Shenley.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2015)
Tradition and the International Zombie Film: The Movies.
In:
Putting the Supernatural in its Place: Folklore, the Hypermodern and the Ethereal.
Utah State University Press, Salt Lake City, pp. 90-125.
ISBN 978-1-60781-449-8 eBook 978-1-60781-450-4
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2015)
Blaxploitation! A Video Essay.
[Video]
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Waddell, C. and Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2014)
All About the Girl: Remembering the Girl Who Knew Too Much.
Arrow Films, Shenley.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2014)
The Giallo and the Spaghetti Nightmare Film.
In:
The Italian Cinema Book.
British Film Institute, London, pp. 203-210.
ISBN Paperback 978-1844574049
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2013)
Cinema e Identità Culturale.
In:
I Film Studies.
Advanced Studies
.
Carocci, Rome, pp. 199-206.
ISBN Paperback 9788843069026
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2013)
Interview with Herschell Gordon Lewis (Abertoir Horror Festival, Aberystwyth, UK: 8 November 2009).
One+One: Filmmakers' Journal, 12 (1).
pp. 13-20.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2012)
‘I’m a Fairy? How Fucking Lame!’: True Blood as Fairytale.
In:
True Blood: Investigating Vampires and Southern Gothic.
Investigating Cult TV Series
.
I.B.Tauris & Co Ltd, London, pp. 59-73.
ISBN Paperback 978-1848859401
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Thorgeirsdottir, G.
(2011)
Televisual Folklore: Rescuing Supernatural from the Fakelore Realm.
In:
TV Goes to Hell: An Unofficial Road Map of Supernatural.
ECW Press, Toronto, Canada, pp. 187-200.
ISBN Paperback 978-1770410206
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2010)
Blaxploitation Films.
Kamera Books, Harpenden.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2010)
The Jewish Giallo, or What's a Nice Jewish Motif Like You Doing in a Movie Like This?
In:
Cultural Representations of Jewishness at the Turn of the 21st Century.
EUI Working Papers, Florence, pp. 135-146.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2010)
The X-Files.
In:
The Essential Cult TV Reader.
Essential readers in contemporary media
.
University Press of Kentucky, Lexington, Ky, pp. 337-344.
ISBN 9780813125688
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2008)
Film, Folklore and Urban Legends.
Scarecrow Press, Lanham, MD.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2008)
Coding with Jewish Cultural Studies and Jewish-American Cinema.
Jewish Cultural Studies, 1.
pp. 291-310.
ISSN 978-1-904113-45-4
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2008)
The Folklore of the Zombie Film.
In:
Zombie Culture: Autopsies of the Living Dead.
Scarecrow Press, Lanham, MD, pp. 19-34.
ISBN 0810860430
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
Most Haunted and the Convergence of Traditional Belief and Popular Television.
Folklore, 118 (2).
pp. 183-202.
ISSN 0015-587X
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Shermon, Sharon
(2007)
Folklore/Cinema: Popular Film as Vernacular Entertainment.
Utah State University Press, Logan, UT.
ISBN 978-0-87421-673-8
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
Cool Jewz: Contemporary Jewish Identity in Popular Culture.
Shofar: An Interdisciplinary Journal of Jewish Studies, 25 (4).
ISSN Print:0882-8539 Online: 1534-5165
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
The Folklore Fallacy: A Folkloristic/Filmic Perspective on The Wicker Man.
Fabula, 48 (3-4).
pp. 270-280.
ISSN Print: 0014-6242 Online: 1613-0464
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
Adapting Legends: Urban Legends and their Adaptation in Horror Cinema.
In:
Monstrous Adaptations: Generic and Thematic Mutations in Horror Film.
Manchester University Press, Manchester, pp. 157-171.
ISBN 9780719076039
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
The Folklore Files: In(corp)orating Legends in The X-Files.
In:
The X-Files and Literature: Unweaving the Story, Unraveling the Lie to Find the Truth.
Cambridge Scholars Press, Newcastle upon Tyne, pp. 91-104.
ISBN 1-84718-239-9
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2007)
Buttgereit's Poetics: Schramm as Cinema of Poetry.
In:
Caligari's Heirs: The German Cinema of Fear after 1945.
Scarecrow Press, Lanham, MD, pp. 185-197.
ISBN 0810858789
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2006)
La Dolce Morte: Vernacular Cinema and the Italian Giallo Film.
Scarecrow Press, Lanham, MD.
ISBN 0-8108-5870-3
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013 and Sherman, S.
(2005)
Folklore & Film.
Western Folklore, 64 (3-4).
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2004)
Superstition & Pseudoscience: The Ambivalence of Belief in the Giallo Film.
Midwestern Folklore, 30 (2).
pp. 21-29.
ISSN 0894-4059.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2004)
Twee Koffers Vol/Left Luggage.
In:
The Cinema of the Low Countries.
Wallflower Press, London, pp. 230-237.
ISBN 1904764002
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2004)
'The Film you are about to see is Based on Documented Fact': Italian Nazi Sexploitation Cinema.
In:
Alternative Europe: Eurotrash and Exploitation Cinema from 1945.
Wallflower Press, London, pp. 19-31.
ISBN 903364930
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2003)
La Dolce Morta: Space, Modernity and the Giallo.
Kinoeye, 3 (12).
ISSN Online 1475-2441
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2003)
The Terror Tale: Urban Legends and the Slasher Film.
Scope: An Online Journal of Film Studies.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2003)
Folklore Studies and Popular Film & Television: A Necessary Critical Survey.
Journal of American Folklore, 116 (460).
pp. 176-195.
ISSN 00218715
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2002)
Filming Legends: A Revised Typology.
Contemporary Legend, New Se.
pp. 114-135.
ISSN 0963-8334
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2001)
‘"Buzz Off!": The Killer Bee Movie as Modern Belief Narrative.’.
Contemporary Legend, New Se.
pp. 1-19.
ISSN 0963-8334
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(2000)
Have I Got a Monster for You!: Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie.
Folklore, 111 (2).
pp. 217-230.
ISSN 0015-587X
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(1999)
Feminist Folkloristics and Women's Cinema: Towards a Methodology.
Literature Film Quarterly, 27 (4).
pp. 292-300.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(1999)
Candyman Can: Film & Ostentation.
Contemporary Legend New Series, 2.
pp. 155-173.
ISSN 0963-8334
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(1999)
"You Don't Have to be Filmish": The Toronto Jewish Film Festival.
Ethnologies, 21 (1).
pp. 115-132.
ISSN Print 1481-5974 Online 1708-0401
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
(1997)
Voices from the Periphery: Videodrome and the (pre)Postmodern Vision of Marshall McLuhan.
Postscript : A Journal of Graduate School Criticism and Theory, 4 (4).
pp. 25-37.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
In Defense of Watch Me When I Kill.
88Films, Lutterworth.
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Koven, Mikel ORCID: https://orcid.org/0000-0002-2542-3013
All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan.
[Video]
My Most Viewed As Author
# | Item title | | |
---|
1. | Blaxploitation Films | 805 | | 2. | Voices from the Periphery: Videodrome and the (pre)Postmodern Vision of Marshall McLuhan. | 753 | 2112 | 3. | The Folklore Fallacy: A Folkloristic/Filmic Perspective on The Wicker Man | 650 | | 4. | ‘"Buzz Off!": The Killer Bee Movie as Modern Belief Narrative.’ | 548 | 731 | 5. | La Dolce Morte: Vernacular Cinema and the Italian Giallo Film | 500 | | 6. | Film, Folklore and Urban Legends | 488 | | 7. | The Folklore of the Zombie Film | 413 | | 8. | The Terror Tale: Urban Legends and the Slasher Film | 402 | | 9. | Most Haunted and the Convergence of Traditional Belief and Popular Television. | 369 | 1 | 10. | 'The Film you are about to see is Based on Documented Fact': Italian Nazi Sexploitation Cinema | 341 | 889 | 11. | Feminist Folkloristics and Women's Cinema: Towards a Methodology. | 311 | | 12. | The Folklore Files: In(corp)orating Legends in The X-Files | 282 | | 13. | The Giallo and the Spaghetti Nightmare Film | 257 | 2 | 14. | Folklore/Cinema: Popular Film as Vernacular Entertainment | 248 | | 15. | Superstition & Pseudoscience: The Ambivalence of Belief in the Giallo Film | 245 | | 16. | Have I Got a Monster for You!: Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie | 223 | | 17. | Coding with Jewish Cultural Studies and Jewish-American Cinema | 220 | | 18. | Candyman Can: Film & Ostentation | 219 | 674 | 19. | ‘I’m a Fairy? How Fucking Lame!’: True Blood as Fairytale | 215 | 4 | 20. | Adapting Legends: Urban Legends and their Adaptation in Horror Cinema | 213 | | 21. | Cool Jewz: Contemporary Jewish Identity in Popular Culture | 209 | | 22. | Deep Red: The Quintessential Giallo | 207 | | 23. | Folklore & Film | 202 | | 24. | Filming Legends: A Revised Typology | 194 | | 25. | The Jewish Giallo, or What's a Nice Jewish Motif Like You Doing in a Movie Like This? | 193 | 11 | 26. | 9 Lives of the Black Cat | 187 | | 27. | Televisual Folklore: Rescuing Supernatural from the Fakelore Realm | 186 | | 28. | Folklore Studies and Popular Film & Television: A Necessary Critical Survey | 179 | | 29. | The X-Files | 176 | | 30. | "You Don't Have to be Filmish": The Toronto Jewish Film Festival | 175 | 5 | 31. | Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema | 172 | 3 | 32. | Twee Koffers Vol/Left Luggage | 169 | | 33. | Sergio Martino: Master of the Filone | 166 | 10 | 34. | La Dolce Morta: Space, Modernity and the Giallo | 154 | | 35. | Buttgereit's Poetics: Schramm as Cinema of Poetry | 147 | | 36. | All About the Girl: Remembering the Girl Who Knew Too Much | 147 | | 37. | Blaxploitation! A Video Essay | 142 | | 38. | Interview with Herschell Gordon Lewis (Abertoir Horror Festival, Aberystwyth, UK: 8 November 2009) | 138 | 3 | 39. | Tradition and the International Zombie Film: The Movies | 133 | 4 | 40. | Cinema e Identità Culturale | 108 | 2 | 41. | Las variaciones Gastaldi: el juego del productor y el giallo isterico.
The Variations Gastaldi: The Game of the Producer and the Isthic Giallo | 77 | 3 | 42. | Folk Horror: a discursive approach, with application to Robin Hardy’s The Wicker Man and Neil Jordan’s The Company of Wolves | 69 | 4 | 43. | “The Emperor’s New Lore, or Who Believes in the Big Bad Slender Man?” | 68 | 4 | 44. | Italian Horror Cinema (Book Review) | 63 | | 45. | Mythic Cinema and the Contemporary Biblical Epic | 57 | 66 | 46. | The Canadian Giallo, or how the Italian Thriller Influenced the Canadian Slasher Film | 52 | 4 | 47. | Folk Horror & the Undead | 52 | 3 | 48. | The Italian Gothic | 49 | 22 | 49. | The Canadian Giallo, or how the Italian thriller influenced the Canadian slasher film | 43 | | 50. | The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth | 41 | | 51. | Fascism on a Thread: The Strange Story of Nazisploitation Cinema | 41 | | 52. | Werewolves, Folklore and Cinema | 39 | | 53. | Walpurgisnacht: Folklore & Popular Culture | 36 | | 54. | Walpurgisnacht: Folklore & Popular Culture | 35 | | 55. | Jet Set Giallo | 32 | | 56. | The Last Supper: The Final Days of the Italian Cannibal Film | 32 | | 57. | The Rhetoric of Veracity: Found Footage Films and the Rhetoric of Truth | 31 | | 58. | Nightmares: Anatomy of an Urban Legend Film | 31 | | 59. | Television Drama (Fairy Tales and American TV Drama) | 30 | 2 | 60. | Audio Commentary on 'The Hills Have Eyes' | 30 | | 61. | Return of the Living Slave: Jordan Peele’s Get Out as Zombie Film | 30 | | 62. | The Canadian Giallo, or how Italian horror movies influenced the Canadian slasher film | 27 | | 63. | Schrodinger’s Harlem: How Across 110th Street both is, and is not, a Blaxploitation Film | 27 | | 64. | Häxan, and the birth of Folk Horror | 26 | | 65. | All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan | 25 | | 66. | Golems, Dybbuks and other Movie Monsters: The Search for a Jewish Horror Film | 25 | | 67. | In Defense of Watch Me When I Kill | 24 | | 68. | Narratives of Resistance in Folk Horror | 24 | | 69. | La influencia del Giallo italiano en las películas slasher producidas en Canadá a inicios de la década de 1980: Phobia y Visiting Hours | 23 | | 70. | The Poetry of the Gross-Out: Argento's Phenomena | 21 | | 71. | Brain Food: Analysing Late Day Fulci | 19 | | 72. | Paul Wegener’s Das Golem (1920) as Folk Horror | 19 | | 73. | Mythic Cinema and the Contemporary Biblical Epic | 18 | |
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