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WRaP is a collection of research papers and university publications. It presents the academic and creative work of the university. You are welcome to look for and obtain items of interest and make contact with the authors and creators.
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John Cussans
Biography
Contemporary Art, Art Theory, Cultural History, Science Fiction Studies, Horror Studies, Anthropology
Senior Lecturer in Fine Art
John Cussans is an artist, arts educator and writer working across the fields of contemporary art, cultural history and critical art theory. His work explores the legacies of colonialism, psychoanalysis and surrealism in art, cinema and popular culture from ethnographic, science fictional and social psychology perspectives. He has written and taught on cultural constructions of the alien, inhuman and primitive and their subversions in art, anti-psychiatry and philosophy, with a specific focus on the cultures of British Columbia and Haiti. He is a member of SMRU (Social Morphologies Research Unit) a collaboration between artists and anthropologists based at University College London.
Postgraduate Certificate in Learning and Teaching in Art, Design and Communication, University of the Arts, London, 2007
PhD Cultural History, Royal College of Art, London, 1995
MA Art History and Theory, University of Essex, Colchester, 1987
BA (Hons.) Graphic Design and Illustration, Newcastle-Upon-Tyne Polytechnic, 1986
My Latest As Author
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Cussans, John
 ORCID: https://orcid.org/0000-0002-1856-9460
(2021)
The Skullcracker Suit Pt.1:BC Time-slip (The Empire Never Ended).
University of Worcester.
(Submitted)
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2020)
Sketch 2 for a Time Slip Installation.
The International Journal of Creative Media Research (5).
ISSN 2631-6773
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2020)
A Taste for Blood and Truth: Bill Gunn’s Ganja and Hess (1973).
In:
Scared Sacred: Idolatry, Religion and Worship in the Horror Film.
House of Leaves, United Kingdom, pp. 303-339.
ISBN 9781999373801
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 and Cutler, R.L.
(2019)
Special Investigations.
In:
Knowings and Knots: Methodologies and Ecologies in Research Creation.
University of Alberta Press, Alberta, Canada, pp. 265-276.
ISBN 9781772124859
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2019)
In the House of the Man-Eater.
In:
Beau Dick: Devoured by Consumerism.
Figure 1, Canada, pp. 20-31.
ISBN 9781773270869
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2019)
In the House of the Man Eater.
In:
Beau Dick: Devoured by Consumerism.
Figure 1, Vancouver.
ISBN 9781773270869
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2017)
WEIRD Commerce at the Ghetto Biennale (Proverbs from the Gossip Wall).
In:
Ghetto Biennale 2009-2015.
No Eraser Publishing, United Kingdom, pp. 188-196.
ISBN 9781999864705
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2017)
Undead Uprising: Haiti, Horror and the Zombie Complex.
Strange Attractor/MIT, United Kingdom.
ISBN 9781907222474
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Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460
(2016)
The Skullcracker Suite: A Long-term Interdisciplinary Artistic Research Project Investigating Processes of Cultural Decolonisation in British Columbia (Portfolio).
UNSPECIFIED.
(Unpublished)
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