| 1. | The Iron Lady and The Working Girl – Representations of the Prostitute in 1980s British Cinema | 740 | |
| 2. | “Now I’m The Monster”: Remembering, Repeating and Working Through in Dead Man’s Shoes and TwentyFourSeven. | 563 | |
| 3. | The Third Avant Garde: Black Audio Film Collective and Latin America | 454 | |
| 4. | Through Class Darkly: Class in the British TV Noir | 329 | |
| 5. | Guattari Reframed: Interpreting Key Thinkers for the Arts | 310 | |
| 6. | A Hint of the Lavender - The Gay Gangster in British Crime Cinema | 255 | |
| 7. | Studying the British Crime Film | 253 | |
| 8. | Hitchcock and the Cinema of Sensations | 250 | |
| 9. | "Its Only Rock and Roll”: John Byrne’s Scotland | 187 | 197 |
| 10. | “The Weak and the Wicked: Images of non-Conscripted Masculinity in British Cinema 1939 - 1945” | 175 | 325 |
| 11. | The British War Film | 152 | |
| 12. | Non-Naturalist Realism: Sound and Image in Alan Clarke’s Road (BBC, 1987) | 125 | 55 |
| 13. | “Welcome to Sparkhill, Birmingham”: Regionality and Race in Citizen Khan | 95 | 98 |