| 1. | The Birmingham Rep: A City's Theatre 1962-2002 | 366 | |
| 2. | "The Pervasiveness of the Commonplace": the Historian and Amateur Theatre. | 357 | |
| 3. | "The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939. | 349 | |
| 4. | Engaging the Audience: A Comparative Analysis of Developmental Strategies in Birmingham and Leicester since the 1990s | 348 | |
| 5. | Facing the Face of the Other: The Case of the Nia Centre | 334 | |
| 6. | Twentieth Century British Theatre Industry, Art and Empire | 320 | |
| 7. | Shakespeare and the Birmingham Repertory Theatre 1913-1929 | 307 | |
| 8. | 'Patronage and Pragmatism: The Art of Compromise in the English Regional Context' | 296 | |
| 9. | The Haunted Theatre: Birmingham Rep, Shakespeare and European Exchanges | 291 | 148 |
| 10. | Birmingham Rep, Youth and Community, and the Products and Possibilities of Precarity | 290 | 244 |
| 11. | Theatre History and Historiography Ethics, Evidence and Truth | 290 | |
| 12. | Shakespeare and the Re/Vision of Indian Heritage in the Postcolonial British Context | 264 | |
| 13. | "A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s. | 255 | |
| 14. | Introduction | 219 | |
| 15. | A City's Toys: Theatre in Birmingham 1914-1918 | 206 | |
| 16. | The Methuen Drama Handbook of Theatre History and Historiography | 204 | |
| 17. | 'Producing the Scene': the Evolution of the Director in British Theatre 1900-50 | 202 | |
| 18. | Creating Vital Theatre: New Voices in a Time of Transition | 152 | |