| 1. | The Birmingham Rep: A City's Theatre 1962-2002 | 361 | |
| 2. | "The Contaminated Audience": Researching Amateur Theatre in Wales Before 1939. | 347 | |
| 3. | Engaging the Audience: A Comparative Analysis of Developmental Strategies in Birmingham and Leicester since the 1990s | 344 | |
| 4. | "The Pervasiveness of the Commonplace": the Historian and Amateur Theatre. | 342 | |
| 5. | Facing the Face of the Other: The Case of the Nia Centre | 327 | |
| 6. | Twentieth Century British Theatre Industry, Art and Empire | 314 | |
| 7. | Shakespeare and the Birmingham Repertory Theatre 1913-1929 | 303 | |
| 8. | 'Patronage and Pragmatism: The Art of Compromise in the English Regional Context' | 294 | |
| 9. | Birmingham Rep, Youth and Community, and the Products and Possibilities of Precarity | 289 | 231 |
| 10. | Theatre History and Historiography Ethics, Evidence and Truth | 288 | |
| 11. | The Haunted Theatre: Birmingham Rep, Shakespeare and European Exchanges | 287 | 133 |
| 12. | Shakespeare and the Re/Vision of Indian Heritage in the Postcolonial British Context | 259 | |
| 13. | "A Local Habitation and a Name": Developments in Black and Asian Theatre in Birmingham Since the 1970s. | 252 | |
| 14. | Introduction | 215 | |
| 15. | A City's Toys: Theatre in Birmingham 1914-1918 | 204 | |
| 16. | 'Producing the Scene': the Evolution of the Director in British Theatre 1900-50 | 197 | |
| 17. | The Methuen Drama Handbook of Theatre History and Historiography | 196 | |
| 18. | Creating Vital Theatre: New Voices in a Time of Transition | 143 | |