Cochrane, Claire ORCID: https://orcid.org/0000-0002-0292-7876 (2023) Challenging Times: Making Theatre During the War. In: The Cambridge Companion to British Theatre of the First World War. Cambridge Companions to Theatre and Performance . Cambridge University Press, Cambridge, pp. 55-73. ISBN 9781108673778
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This chapter examines the social and economic pressures and problems experienced by theatre-makers during the First World War. After outlining pre-war metropolitan production practices and regional touring patterns, I consider the ways the imperatives of wartime resistance impacted on the availability of actors and managerial capacity together with the means by which government policy both exploited and constrained theatre production through resource controls, taxation and censorship. I describe how different theatre managers coped with concerns about audience safety and dwindling personnel while fulfilling expectations of entertainment and patriotic reassurance or, as in the case of the new regional repertory theatres, a commitment to more ambitious artistic product. There is a particular emphasis on the role energetic women played as actors, directors, managers and all-round enablers in ensuring that theatres survived what could have been impossible circumstances
Item Type: | Book Section |
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Additional Information: | Staff and students at the University of Worcester have access to the full-text of the chapter via Cambridge CORE. External users should check availability with their local library or Interlibrary Requests Service. |
Uncontrolled Discrete Keywords: | First World War, Censorship, Air Raids, Actor Conscription, DORA |
Divisions: | College of Arts, Humanities and Education > School of Arts |
Related URLs: | |
Depositing User: | Claire Cochrane |
Date Deposited: | 13 Nov 2023 11:31 |
Last Modified: | 13 Nov 2023 11:31 |
URI: | https://eprints.worc.ac.uk/id/eprint/13402 |
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