Number of items: 8.
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
British Rural Landscapes on Film.
Manchester University Press, Manchester.
ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Film and the repossession of rural space.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 190-198.
ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Folk horror and the contemporary cult of British rural landscape: the case of Blood on Satan's Claw.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 162-179.
ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
‘I didn't think I'd be working on this type of film’: Berberian Sound Studio and British Art Film as Alternative Film History.
Journal of British Cinema and Television, 13 (2).
pp. 262-277.
ISSN Print: 1743-4521 Online: 1755-1714
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
Introduction: approaching British rural landscapes on film.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 1-23.
ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
The Spatial Politics of the Voice in Patrick Keiller’s Robinson in Ruins (2010).
The New Soundtrack, 6 (2).
pp. 129-142.
ISSN Print: 2042-8855 Online: 2042-8863
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965
(2016)
sleep furiously: interview with Gideon Koppel.
In:
British Rural Landscapes on Film.
Manchester University Press, Manchester, pp. 180-189.
ISBN 978-0-7190-9157-5
Newland, Paul ORCID: https://orcid.org/0000-0002-8090-2965 and Hoyle, B.
(2016)
Introduction: Post-millennial British Art Cinema.
Journal of British Cinema and Television, 13 (2).
pp. 233-242.
ISSN Print: 1743-4521 Online: 1755-1714
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