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Items where Division is "College of Arts, Humanities and Education > School of Arts" and Year is 2020

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Group by: Creators | Item Type | No Grouping
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Number of items: 12.

C

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2020) Sketch 2 for a Time Slip Installation. The International Journal of Creative Media Research (5). ISSN 2631-6773

Cussans, John ORCID: https://orcid.org/0000-0002-1856-9460 (2020) A Taste for Blood and Truth: Bill Gunn’s Ganja and Hess (1973). In: Scared Sacred: Idolatry, Religion and Worship in the Horror Film. House of Leaves, United Kingdom, pp. 303-339. ISBN 9781999373801

D

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Davies, Andy R. (2020) The Fundamentals of Illustration (Book Review). The Association of Illustrators' Blog. The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Everybody Counts: A Counting Story from 0 to 7.5 Billion (Book Review). The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Ravilious Wood Engravings (Book Review). The Association of Illustrators' Blog.

Davies, Andy ORCID: https://orcid.org/0000-0001-7729-9125 (2020) Tales from the Road: Stories Heard by a Pilgrim (maybe). [Image] (Unpublished)

G

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2020) Art of Exchange: A Practice-based Inquiry into Co-opting Site and Audience Agency in the Construct of an Artwork. PhD thesis, University of Worcester.

Gubb, Mark ORCID: https://orcid.org/0000-0003-2412-7412 (2020) Even in Exile. [Artefact]

M

McCannon, Desdemona (2020) The Illustrated Pilgrim: Practice-led strategies towards an understanding of the feminine sublime at sites of worship in North Wales. In: Illustrating Identity-ies/Illustrer l’identité. Vol. 10. Collection Book Practices & Textual Itineraries. Éditions Universitaires de Lorraine, 10 . PU de Nancy, Nancy. ISBN 978-2-8143-0580-9

R

Rippel, Ildiko ORCID: https://orcid.org/0000-0002-3769-1656 and Garton, R. (2020) No Woman’s Land - Walking as a Dramaturgical Device in Performance of Maternal Migration. Critical Stages, Dec 19 (20).

S

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Back to The Artwork of the Future: Transformation, Emotion and Participation in the Opera-Related Works of Joshua Sofaer. In: Joshua Sofaer: Performance, Objects, Participation. Intellect Live . Live Art Development Agency, Intellect Books, Bristol. ISBN 9781789380910

Somerville, Daniel ORCID: https://orcid.org/0000-0001-8219-6884 (2020) Pavarotti and Me 2020. [Performance]

This list was generated on Tue Dec 6 00:32:46 2022 UTC.
 
     
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