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Number of items: 39.

Koven, Mikel (2016) Sergio Martino: Master of the Filone. In: International Horror Film Directors: Global Fear. Intellect Books, Bristol, pp. 131-147. ISBN Paperback 978-1783206537 (In Press)

Koven, Mikel (2016) Deep Red: The Quintessential Giallo. Arrow Films, Shenley.

Koven, Mikel (2016) Corbucci Unchained: Miike, Tarantino and the Postmodern Discursivity of Exploitation Cinema. In: Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation. University of Edinburgh Press, Edinburgh, pp. 125-144. ISBN Hardback 9780748695454

Koven, Mikel (2015) 9 Lives of the Black Cat. Arrow Films, Shenley.

Koven, Mikel (2015) Tradition and the International Zombie Film: The Movies. In: Putting the Supernatural in its Place: Folklore, the Hypermodern, and the Ethereal. The University of Utah Press, Logan, Utah, pp. 90-125. ISBN Paperback 978-1-60781-449-8 eBook 978-1-60781-450-4

Koven, Mikel (2015) Blaxploitation! A Video Essay. [Video]

Waddell, C. and Koven, Mikel (2014) All About the Girl: Remembering the Girl Who Knew Too Much. Arrow Films, Shenley.

Koven, Mikel (2014) The Giallo and the Spaghetti Nightmare Film. In: The Italian Cinema Book. British Film Institute, London, pp. 203-210. ISBN Paperback 978-1844574049

Koven, Mikel (2013) Cinema e Identità Culturale. In: I Film Studies. Advanced Studies . Carocci, Rome, pp. 199-206. ISBN Paperback 9788843069026

Koven, Mikel (2013) Interview with Herschell Gordon Lewis (Abertoir Horror Festival, Aberystwyth, UK: 8 November 2009). One+One: Filmmakers' Journal, 12 (1). pp. 13-20.

Koven, Mikel (2012) ‘I’m a Fairy? How Fucking Lame!’: True Blood as Fairytale. In: True Blood: Investigating Vampires and Southern Gothic. Investigating Cult TV Series . I.B.Tauris & Co Ltd, London, pp. 59-73. ISBN Paperback 978-1848859401

Koven, Mikel and Thorgeirsdottir, G. (2011) Televisual Folklore: Rescuing Supernatural from the Fakelore Realm. In: TV Goes to Hell: An Unofficial Road Map of Supernatural. ECW Press, Toronto, Canada, pp. 187-200. ISBN Paperback 978-1770410206

Koven, Mikel (2010) Blaxploitation Films. Kamera Books, Harpenden.

Koven, Mikel (2010) The Jewish Giallo, or What's a Nice Jewish Motif Like You Doing in a Movie Like This? In: Cultural Representations of Jewishness at the Turn of the 21st Century. EUI Working Papers, Florence, pp. 135-146.

Koven, Mikel (2010) The X-Files. In: The Essential Cult TV Reader. Essential readers in contemporary media . University Press of Kentucky, Lexington, Ky, pp. 337-344. ISBN 9780813125688

Koven, Mikel (2008) Film, Folklore and Urban Legends. Scarecrow Press, Lanham, MD.

Koven, Mikel (2008) Coding with Jewish Cultural Studies and Jewish-American Cinema. Jewish Cultural Studies, 1. pp. 291-310. ISSN 978-1-904113-45-4

Koven, Mikel (2008) The Folklore of the Zombie Film. In: Zombie Culture: Autopsies of the Living Dead. Scarecrow Press, Lanham, MD, pp. 19-34. ISBN 0810860430

Koven, Mikel (2007) Most Haunted and the Convergence of Traditional Belief and Popular Television. Folklore, 118 (2). pp. 183-202. ISSN 0015-587X

Koven, Mikel (2007) Adapting Legends: Urban Legends and their Adaptation in Horror Cinema. In: Monstrous Adaptations: Generic and Thematic Mutations in Horror Film. Manchester University Press, Manchester, pp. 157-171. ISBN 9780719076039

Koven, Mikel (2007) Buttgereit's Poetics: Schramm as Cinema of Poetry. In: Caligari's Heirs: The German Cinema of Fear after 1945. Scarecrow Press, Lanham, MD, pp. 185-197. ISBN 0810858789

Koven, Mikel (2007) Cool Jewz: Contemporary Jewish Identity in Popular Culture. Shofar: An Interdisciplinary Journal of Jewish Studies, 25 (4). ISSN Print:0882-8539 Online: 1534-5165

Koven, Mikel (2007) The Folklore Fallacy: A Folkloristic/Filmic Perspective on The Wicker Man. Fabula, 48 (3-4). pp. 270-280. ISSN Print: 0014-6242 Online: 1613-0464

Koven, Mikel (2007) The Folklore Files: In(corp)orating Legends in The X-Files. In: The X-Files and Literature: Unweaving the Story, Unraveling the Lie to Find the Truth. Cambridge Scholars Press, Newcastle upon Tyne, pp. 91-104. ISBN 1-84718-239-9

Koven, Mikel (2006) La Dolce Morte: Vernacular Cinema and the Italian Giallo Film. Scarecrow Press, Lanham, MD. ISBN 0-8108-5870-3

Koven, Mikel and Sherman, S. (2005) Folklore & Film. Western Folklore, 64 (3-4).

Koven, Mikel (2004) 'The Film you are about to see is Based on Documented Fact': Italian Nazi Sexploitation Cinema. In: Alternative Europe: Eurotrash and Exploitation Cinema from 1945. Wallflower Press, London, pp. 19-31. ISBN 903364930

Koven, Mikel (2004) Superstition & Pseudoscience: The Ambivalence of Belief in the Giallo Film. Midwestern Folklore, 30 (2). pp. 21-29. ISSN 0894-4059.

Koven, Mikel (2004) Twee Koffers Vol/Left Luggage. In: The Cinema of the Low Countries. Wallflower Press, London, pp. 230-237. ISBN 1904764002

Koven, Mikel (2003) La Dolce Morta: Space, Modernity and the Giallo. Kinoeye, 3 (12). ISSN Online 1475-2441

Koven, Mikel (2003) The Terror Tale: Urban Legends and the Slasher Film. Scope: An Online Journal of Film Studies.

Koven, Mikel (2003) Folklore Studies and Popular Film & Television: A Necessary Critical Survey. Journal of American Folklore, 116 (460). pp. 176-195. ISSN 00218715

Koven, Mikel (2002) Filming Legends: A Revised Typology. Contemporary Legend, New Se. pp. 114-135. ISSN 0963-8334

Koven, Mikel (2001) ‘"Buzz Off!": The Killer Bee Movie as Modern Belief Narrative.’. Contemporary Legend, New Se. pp. 1-19. ISSN 0963-8334

Koven, Mikel (2000) Have I Got a Monster for You!: Some Thoughts on the Golem, The X-Files and the Jewish Horror Movie. Folklore, 111 (2). pp. 217-230. ISSN 0015-587X

Koven, Mikel (1999) Candyman Can: Film & Ostentation. Contemporary Legend New Series, 2. pp. 155-173. ISSN 0963-8334

Koven, Mikel (1999) Feminist Folkloristics and Women's Cinema: Towards a Methodology. Literature Film Quarterly, 27 (4). pp. 292-300.

Koven, Mikel (1999) "You Don't Have to be Filmish": The Toronto Jewish Film Festival. Ethnologies, 21 (1). pp. 115-132. ISSN Print 1481-5974 Online 1708-0401

Koven, Mikel (1997) Voices from the Periphery: Videodrome and the (pre)Postmodern Vision of Marshall McLuhan. Postscript : A Journal of Graduate School Criticism and Theory, 4 (4). pp. 25-37.

This list was generated on Fri Dec 2 19:53:15 2016 UTC.
 
     
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